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Educator Spotlight - Iwona Piecyk
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Iwona Piecyk

33 Liceum Ogólnokształcące Dwujęzyczne im. M. Kopernika w Warszawie

Warsaw, Poland

About Iwona Piecyk

My name is Iwona Piecyk, and I live and work in Warsaw, Poland. Originally, I come from the north-west part of Poland called West Pomerania, but I moved to Warsaw to pursue my Master’s Degree in American Studies. I love Warsaw for its atmosphere of opportunity and openness, but I also have a deep passion for travel. So far, I have mostly travelled in Europe and the United States, but I have also ventured to Oman. What fascinates me most is how people live in other countries and what their values are. I always find common ground and shared values with people from different nationalities, which enriches my understanding of the world.

For the past 10 years, I’ve been teaching at the 33 Copernicus Bilingual High School in Warsaw. Our school provides bilingual education in Polish and English through the Polish National Programme, as well as the IB Middle Years Programme (MYP) and IB Diploma Programme (DP). I teach various subjects, including English as a Second Language, IB English Language and Literature, and Theory of Knowledge. I am also responsible for incorporating the Approaches to Teaching and Learning skills into the classroom reality.

One of the greatest joys of teaching is building meaningful relationships with my students and colleagues. I believe that creating a safe and supportive environment is essential for effective learning and helps students become lifelong learners. I cherish the unique qualities that each student brings to the classroom and strive to build on their strengths rather than focusing on what might be lacking. This philosophy not only enriches their learning experience but also fosters a sense of confidence and belonging.

How did you learn about The Good Project lesson plans?  What made you interested in using the lesson plans?

I first came across The Good Project in May 2023, while exploring Project Zero Visible Thinking Routines. I stumbled upon an advertisement for The Good Project and was immediately intrigued by its focus on "Good Work." As I read more about the project's objectives, I was fascinated by the emphasis on ethical considerations, responsibility, engagement, and reflection. These themes resonated deeply with the Approaches to Learning Skills we emphasize in the IB Program at my school. The overlap between these skills and those highlighted in The Good Project sparked my enthusiasm to integrate the lesson plans into my teaching. I envisioned how these lessons could complement and enhance our existing curriculum, providing students with invaluable skills for their future.

Tell us about the students with whom you are teaching the lesson plans. In which class are you using them? What makes them a good fit for your learners?

Initially, I planned to teach The Good Project lessons both to my homeroom group of 30 seniors as well as to my 10th graders, a smaller group of 15 students. I believed that the seniors would benefit from examining their value systems and understanding the "3Es" (Excellent, Engaging, Ethical) framework to help them navigate future career choices. However, I quickly realized that my senior students, immersed in the demanding IB Diploma Program, were overwhelmed with coursework and deadlines. They needed our homeroom sessions to focus on well-being, stress management, and study planning techniques. Despite this, I managed to incorporate some lesson plan ideas, such as the value sort activity, which provided great insights into their personal values.

Ultimately, I decided to implement The Good Project lessons with my IB MYP year 10 students. This group was particularly enthusiastic about the project, displaying a keen interest in discussions, debates, and dilemmas. Their active participation and honest reflections made them an ideal fit for the lessons. They engaged with the ethical and reflective aspects of the lessons, often extending discussions beyond class time.

What has been a memorable moment from your teaching of the lesson plans?

One memorable moment that stands out occurred during a value sort activity in lesson 1.8. I was eagerly anticipating this lesson because it aimed to help students identify which values guide their decisions and life choices. As we began the activity, we encountered technical difficulties accessing the online tool on mobile phones. Luckily, I had printed copies of the activity, and we proceeded with the paper version in the classroom and the students were to complete the online version at home.

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The next day, we reviewed the online results and group statistics, leading to a lively discussion about the difficulty of distinguishing the most important values from merely important ones. This activity revealed common values shared among the students and prompted a deeper conversation about the implications of different guiding principles on good work.

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Revisiting the value sort results in lesson 3.2 a few months later allowed my students to reflect on their growth and evolving understanding of core values. Their enthusiasm during these discussions, which often spilled over into break times, was a joy to witness and highlighted the profound impact of the lessons.

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What do you think are the main things your students are gaining or learning from their experiences with the lesson plans?

Through The Good Project lessons, my students are gaining a deeper appreciation for multiple perspectives and the importance of reflection. While they have always enjoyed discussions, these lessons present dilemmas and scenarios that compel them to consider the broader impact of their decisions on themselves, their peers, families, and the wider community. The "rings of responsibility" activity was particularly eye-opening, as it helped them realize the far-reaching consequences of their actions. This newfound awareness has fostered maturity and compassion, as they now approach dilemmas with a greater sense of ethical responsibility and empathy towards others.

What do you think other teachers should know before they begin teaching the lesson plans?

Teachers planning to work with The Good Project lesson plans should embrace the flexibility the plans offer. The lessons can be tailored to fit the needs and dynamics of their students, serving as inspiration for discussions and projects or as detailed guides with rich resources and alternative paths. It’s important to remember that initial reluctance or confusion from students is natural, but with time and encouragement, most will engage deeply with the dilemmas and activities. Teachers should also be prepared for the lessons to evolve beyond the initial plans, as new ideas and opportunities for deeper learning often arise during the process. The key is to create a supportive environment where students feel comfortable sharing their thoughts and reflections.

What are students learning that you feel will stick with them? What changes, if any, do you see in the way they approach certain choices or situations in school or in life?

One of the most impactful lessons my students are learning from The Good Project is the significance of ethical considerations in their decision-making processes. The discussions around values, ethical dilemmas, and the concept of "good work" have deeply influenced their understanding of what it means to act with integrity and responsibility. For instance, during our sessions on the 3Es—Excellent, Engaging, Ethical—they have understood the importance of striving for excellence not just academically, but in all aspects of their lives. They are also learning to engage with their schoolwork and to approach tasks with enthusiasm and dedication.

Moreover, the emphasis on reflection and the rings of responsibility has encouraged them to think about the broader impact of their actions. They now recognize that their decisions can have far-reaching effects, not just on their immediate surroundings but also on their community and beyond. This holistic approach to understanding consequences is something that I believe will stay with them long after they leave the classroom. It has equipped them with a framework to navigate complex situations thoughtfully and with empathy.

How do you view the relationship between what you teach in the classroom and your students’ overall development as people?

Since integrating The Good Project lessons into my teaching, I have observed a noticeable shift in the way my students approach both academic and personal decisions. They have become more deliberate and reflective, taking the time to weigh the ethical implications of their choices. For example, I’ve seen students who once rushed through assignments now taking the time to consider how their work can contribute positively to the classroom environment and their learning community.

In group projects, there is a newfound sense of collaboration and mutual respect. Students are more willing to listen to diverse perspectives and work towards solutions that are inclusive and fair. This change is particularly evident in their interactions during debates and discussions, where they exhibit greater patience and interest in understanding different viewpoints.

Why is it important for your learners to understand the meaning of “good work” for themselves, now and in the future?

Understanding the meaning of “good work” is crucial for students as they prepare to enter a rapidly changing job market. In the next 5-10 years, as they transition into their careers, the ability to do good work—work that is excellent, engaging, and ethical—will be essential for personal fulfilment and professional success. Teaching these values now helps them develop a strong moral compass and a sense of purpose. If students around the world are taught the value of good work, they will not only find joy and meaning in their careers but also serve as mentors and role models for future generations, fostering a culture of ethical and impactful work.

Exploring 6 Powerful Teacher Moves for Enhancing Dialogue in Digital Exchange Programs on Out of Eden Learn and Beyond
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Devon Wilson is a Research Assistant at Project Zero, where he works on the Out of Eden Learn project and the ID Global project. This blog post reflects work that Devon undertook in collaboration with Carrie James.

Author’s note: In this piece, I describe insights from a series of interviews with educators who creatively utilize the Dialogue Toolkit to support thoughtful dialogue amongst students. I identify six powerful teacher moves and provide more details about how these moves are enacted in these teachers’ classrooms and contexts. For a distilled version of the six powerful teacher moves, click here.

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It can be easy for students to like something on social media or digital learning platforms, but how can we encourage students to expand their repertoire of skills for online commenting and exchange?

The Dialogue Toolkit (DTK) was designed to promote thoughtful commenting and meaningful discussions in online learning communities (including Out of Eden Learn (OOEL), the digital exchange program for which the DTK was originally designed). By highlighting specific moves that students can use in their comments, the DTK aims to slow down the process of responding and exchanging ideas with online peers. It also helps direct students’ thinking, and ideas for comments, in different directions in order to support a higher quality of exchange and mutual understanding between students.

Even with the Dialogue Toolkit as a resource, without teacher support, many students may still rely primarily on “liking” an online post or providing quick comments that do not move the conversation forward. The following strategies for enhancing student dialogue, using and extending the Dialogue Toolkit, emerged from a series of interviews with educators. In these teacher’s classrooms, we observed students using the Dialogue Toolkit effectively and seeing the value of using the Toolkit’s moves to support thoughtful dialogue. Specifically, in these teacher’s classrooms, we observed one or more of the following moves:

1. Model and Practice Different Dialogue Toolkit Moves 
2. Reinforce Physical & Electronic Presence of the Toolkit
3. Coach and Provide Feedback on an Individual Basis
4. Connect to In-Person Communication Strategies
5. Use DTK Moves in Delivering Feedback on Student Work
6. Discuss the Purpose and Value of Thoughtful Dialogue in Digital Exchange and Beyond

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1. Model and Practice Different Dialogue Toolkit Moves 

In Angelia Crouch’s Middle School World History class at St Joseph Catholic School, an emphasis on dialogue moves starts right away, in the initial footsteps (learning experiences) of their OOEL learning journey. After giving students an opportunity to look closely at the Dialogue Toolkit, she guides them in looking together at images and text from a few sample posts, asking them to consider some of the ways they could respond.

Sample Photographs from OOEL students Neighborhood Walk Posts

Photo by: D_patrick_star
Photo by: SpongeBob123
Photo by: ILoveSuperSmashBros

As she guides students in looking closely at a single post, she asks questions such as:
“What is one thing that we can notice about these pictures that stands out to you?”
“Can you tell from this picture what this student really wanted us to know? Based on how they’re taking the picture?”
“What questions does this raise for you?”

In addition to looking and thinking about a few posts together, students have the opportunity to look back at the Dialogue Toolkit and consider the different moves and ways to engage with other students’ posts. Later on, in the course of digital exchange, we see Angela’s 6th grade students continuing to comment in ways similar to the shared discussion questions described above. 

Looking closely and sharing details from other students’ posts: 
I love your map. I like how much color you put into it and all of the trees” (Dog Lord) 
“I noticed all of the foot prints in the snow” (Kathleen) 
“I noticed, when you look out of the window, you can see amazing views. https://s0.wp.com/wp-content/mu-plugins/wpcom-smileys/twemoji/2/72x72/1f..." alt="

Exploring Systems through Objects: A Close Look at Student Work (Part 2)
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Hello again!  I hope you enjoyed my previous post in this two-part series, where I discussed how I came to explore students’ diagrams from the Connecting Everyday Objects to Bigger Systems footstep in the Out of Eden Learn (OOEL) curriculum and the three different areas of focus I found in student work.  In this post, I share another set of findings as well as some questions and implications raised by my explorations in general.

How Do Students Represent Relationships between Elements in a System?

In addition to differences in what students focused on when diagramming a system connected to their chosen object, I noticed that the elements of the systems that students diagrammed fell along a spectrum in terms of the way relationships were represented.  Students’ system diagrams ranged from not having any identified elements (and thus not really appearing to be diagrams) to having elements that were not clearly related to each other, having elements connected in a unidirectional linear relationship, and, finally, having interrelated elements with multidirectional relationships.  The student diagrams below are examples of this spectrum.

In the first diagram below, the student included multiple images, but it is not clear how they are related or whether they are elements of a system:

schoolgirl229, age 11, Ghana

In the next diagram, the student identified a possible system (the use of headphones), but it’s not clear how the different parts relate to each other:

Oceanwaves, age 11, United States

As I discussed in the previous post, many students depicted a process, such as manufacturing or distribution, as their system.  Their diagrams often depicted unidirectional, linear relationships between steps in the process, such as the following:

Oooof, age 11, United States

Finally, just a few students went beyond a simple flow of steps or unidirectional relationships between parts of their system.  These students’ diagrams showed system elements as interrelated with each other, demonstrating greater complexity in the system, like this example:

Birdsworld@yumyum, age 12, Ghana

Puzzles & Ideas Going Forward

As I noticed these different themes and approaches in students’ work, the researcher in me began considering: What might be the source/s of these differences?  I wondered whether variations in the focus of students’ diagrams or in how students illustrated the relationships between system parts might be related to their development (for example, do older students demonstrate a more sophisticated understanding of the complex relationships between parts in a system or more frequently recognize the human agency in systems?) or related to their classroom (for example, might teacher instructions or school culture play a role in diagram focus and relationship visualization?).  Interestingly, I did not anecdotally notice any associations between students’ age or classroom and the focus of their system diagram or how they represented the relationships between system elements. This may suggest that these diagram differences are more related to variation across individual students, but these possible associations are something I hope to explore more systematically in the future.

Although these two sets of observations on student diagrams’ focus and relationship of parts seem logical and resonated with my OOEL team members, who have more experience with the student work, they aren’t the last word on what’s happening for students in the Connecting Everyday Objects to Bigger Systems footstep.  I only looked at the work of students in two walking party groups during one year, and they may not be representative of all students who might consider a system through the lens of an object or who engage in this particular Out of Eden Learn footstep.  

Even if these categories do stand, they raise just as many new questions for me:

  • What other contextual information would be useful to better understand the thinking behind students’ diagrams?
  • Why do some students not identify the people involved in a process or other system (especially after the previous two footsteps in the Core Learning Journey 2 curriculum invited them to explore their own and others’ connections to objects and bigger ideas)?
  • Why do some students illustrate more explicit, directional, or multi-directional relationships between the parts of a system?
  • How important is it for students to identify their own role in a system, and how might we support them in doing so?
  • How might we encourage students to see the elements in systems as more interconnected, rather than strictly linear?
  • What benefits or drawbacks may there be in having students draw the diagrams themselves compared to having them assemble existing images from other sources?
  • How might students’ earlier interactions with peers on the OOEL platform influence what they post for this footstep?
  • What is the role of peer dialogue in furthering students’ thinking about their selected object and system/s?

Despite these questions, there are some initial ideas for practice that my observations might suggest, whether students are exploring systems through objects on the OOEL platform or in other contexts:

  • Consider people: Invite students to think about who makes each element of the system possible
  • Insert yourself: Explicitly prompt students to consider where they fit into the system that they’re exploring
  • Look further: Ask students to consider what people or communities aren’t involved in a system – and why that might be
  • Connect parts: Encourage students to consider how each element of a system relates to each other element, in addition to how linear elements may be linked in a sequence
  • Think macro: Have students diagram how different systems themselves are related
  • Think micro: Have students drill down to consider an object within one element of their system diagram and what systems/processes may be related to that element

These are simply some preliminary wonders and thoughts that this exploration of the fascinating student work in the Connecting Everyday Objects to Bigger Systems footstep raised for me.  I look forward to hopefully reviewing more student posts, potentially developing a more formal tool/kit for supporting systems thinking through objects, as well as hearing from teachers about what may or may not resonate about these concepts!  In these times of rapid change, social divisions, increasing globalization, unequal access to resources, and other challenges, it feels especially important to offer learners tools and opportunities to make sense of the systems around them – and to consider how they may play a role in those systems.

For some other resources from Project Zero on supporting students’ systems thinking, check out the thinking routines from the Agency by Design project and the ‘Art to Systems and Back’ tool from the Art as Civic Commons project.

Exploring Systems through Objects: A Close Look at Student Work (Part 1)
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I’m a relatively new addition to the Out of Eden Learn (OOEL) team, although I’ve been working at Project Zero for almost a decade.  Part of my background is in museum education, so I’m particularly interested in learning experiences that incorporate objects, whether works of art on a gallery wall, natural history specimens under glass, fish in an aquarium, or commonplace items that surround us.  I’ve thus been especially curious about elements of the OOEL curriculum that invite students to explore objects around them, like the Connecting Everyday Objects to Bigger Systems footstep in the Core Learning Journey 2 curriculum.  I recently set out to see what was happening in that footstep and how students might be exploring systems using objects as inspiration.  In this post, I share a bit about my process and one set of findings, and in the next post, I’ll share a second set of findings as well as some overall questions and implications.

Exploring Student Work in a Footstep of their Learning Journey

The Connecting Everyday Objects to Bigger Systems footstep, like most OOEL activities, is framed quite broadly to allow space for students to explore their own interests. However, as the name of the Core Learning Journey: The Past and the Global suggests, its intent is to help students recognize that everyday objects can be seen as part of a web of larger, often global, connections.  The footstep (which is also available as a stand-alone activity) also engages students in all three of the overarching OOEL learning goals:  students slow down to look closely at an object, they consider the stories it might be a part of, and they make connections between the object and the wider world.  

The footstep invites students “to look closely at an everyday object and then make connections between what you notice and bigger systems that the object might be part of.”  They are prompted to engage in a sequence of activities to explore an object and related systems: they select an object, look closely and slowly at it, write questions they have about it, consider different systems that could relate to it, and draw a diagram of the different parts of one relevant system.  Students are then asked to share their diagram with peers in their walking party, with a picture of their chosen object if possible.  Many students also posted text explaining their diagram, and some only posted a written description, without any visual diagram or object image.

I looked at student discussion board posts from this footstep that were shared on the OOEL online platform from two 2019 walking parties (groups of classrooms with similarly aged students from different countries around the world).  The 2021 posts were still in progress as I began, and the 2020 work was disrupted, like so much else, by COVID-19, so I went back to 2019 posts to get a sense of what might be more typical student work for this particular footstep.  I selected two walking parties with students in diverse geographical locations that had students aged 10-14, although students of other ages also engage with this material.  There were just over 90 students who posted work for this footstep across the two walking parties.  

I started looking through students’ posts, including their written descriptions and diagram images, with some possible questions in mind:

  • What kind of objects do students select?
  • What systems do students connect objects to?
  • Do students discuss their rationale for selecting the object, and, if so, what are the rationales?
  • What kinds of questions do students ask about the object?
  • What objects/systems seem to spark the most student dialogue?

While the answers to these questions may be interesting and generative, two unexpected patterns really stood out to me as I began investigating students’ work.  These patterns raised questions that I hadn’t gone into the exploration even considering: 1. What did students focus on when diagramming their object-based system? and 2. How were students representing the relationships between system elements in their diagrams? Below, I discuss my observations around the first question, and the next blog post will explore the second question.

What Did Students Focus on When Diagramming Their Object-Based System?

I noticed that the focus of students’ work in their systems diagrams generally fell into one of three categories: parts of an item, a process without human involvement, and people’s involvement in a process.

Parts: Although this was not an especially common area of focus, a few students illustrated the object itself as a system, identifying different parts of the object as the elements of the system.  Students focused on the parts of both natural objects, like this date plant:

Foodlover22 (1. See note below), age 11, United States

as well as human-created objects, like this soccer ball:

wolf03, age 14, Mexico

Processes: More commonly, students focused on a process in their diagram.  This was most often the process of manufacturing the selected object.  Some of these diagrams illustrated the process without explicitly incorporating people who might be involved in particular elements.  Such diagrams visualized, for example, various parts in the process of transforming raw materials into a finished product, such as this diagram showing steps in the process of transforming sheep’s wool into a sweater:

ScarletXscratch, age 12, Ghana

Other students illustrated the steps in the distribution or sale of their chosen object, like this system of car transport to a dealer:

dadabmaster, age 11, Ghana

People: Students who created system diagrams of a process frequently incorporated human contributions to the system, unlike the examples illustrated above.  Some students just identified people as an end user or consumer of the object, like the student below:

SuperHippo, age 12, Ghana

Other students identified people involved in the creation, as well as the consumption, of an object, like the bracelet maker and buyer illustrated below:

gogo8799, age 12, Ghana

Although it wasn’t something I went into my preliminary investigation of student work considering, it was interesting to observe students’ focus on the parts of an item, a process without human involvement, or process with people’s contributions in their object-based system diagrams.  In the next post, I’ll discuss the second set of findings from my exploration.

Note: 1. Students select anonymous usernames to represent themselves to peers on the OOEL online platform, and those usernames are provided here when attributing work to students.

Learner-Driven Community and Out of Eden Learn
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In this blog post, I describe my journey with Out of Eden Learn as an educator in a learning context called The Aspiring Phoenix Foundation (TAPF), an Acton Academy, where “studios” replace classrooms and learner-driven environments are core to our mission. Out of Eden Learn (OOEL) offered new opportunities and a new venue for the children to lead their learning. While the context in which I work is unique, our practices and journey with OOEL are relevant to more traditional classrooms and schools.

When a close friend from college, who is also an educator and life-long learner, recommended OOEL, I was eager to check it out. I was so pleased that the OOEL materials and resources were set out in such a user-friendly way. I was certain that our learners would be able to take the lead before the end of the year. As a guide, my role is to set the stage for the children’s learning, give them the tools and resources to accomplish the objectives, and stand aside. Each day, we have “Launches” in the morning and after lunch. The aim is to tell a story, pose a question, or make a statement and allow time for Socratic debate. There are no “right” or “wrong” answers.

In our Elementary Studio (ES), 7 learners between 8-12 years old participated in OOEL for their Civilization Time, twice a week for 45-60-minute slots. We function as a multi-age studio, rather than dividing the children by age and grade level. Peer-to-peer learning is such a powerful tool, given each of us have various degrees of strengths and weaknesses. In my experience, age hasn’t been the defining factor of mastery or maturity; rather, intrinsic curiosity that is allowed to follow its path normally leads to even more opportunities to learn. On our campus, our learners immerse themselves in their roles as an anthropologists /scientists /investigators/authors/photographer, depending on the learning adventure and challenge. In our program, our goal is for curious investigation and deep exploration to become part of the joyous cycle of a lifelong learning.

The students were intrigued with the idea of doing “The Present and the Local” OOEL learning journey, and decided to undertake it.  In the beginning, we watched the videos together, discussed together the target Footstep for the day, and then they organized themselves to work in pairs or small groups, occasionally someone would work alone for a bit, then come back to join after they accomplished their personal goal. The Dialogue Toolkit (DTK) easily integrated into the learners’ everyday language since it helped them follow the Rules of Engagement, which are set by the learners at TAPF at the beginning of the year. The rules include stating “I agree/I disagree with… because…”, linking their comment to the previous statement, and not interrupting the person who is speaking. The children hold each other accountable according to their “Studio Contract” that functions as their constitution. They wrote the document themselves and they can adapt it as they see necessary to govern their Studio. Everyone had access to a digital copy of the Dialogue Toolkit in their online portfolio, and a large poster of it was prominently displayed in a central location for easy reference. Frequently, I witnessed the children looking at the poster or finding it in their portfolio. I saw them use phrases from the Dialogue Toolkit such as “I was surprised by…” and “Could you tell me more about…?”, when they were asking each other for clarifications during group discussions after watching the videos together in Part 1 and when extending the dialogue through replies to online posts. The children actively listened to their peers and new friends from their “walking party” while strengthening their interpersonal communication skills.

As they participated in OOEL Core Learning Journey 1: The Present and the Local, I observed how the learners became engaged with the content and how it spurred further inquiry and investigations. It was thrilling to watch them dive into a topic and whole-heartedly explore it. The Neighborhood Walks footstep was a Studio favorite. The children were clearly happy to be outdoors and doing something exciting. They enjoyed investigating their surroundings while looking closely at the neighborhood for “evidence” to answer the questions from OOEL. As a group, they clearly were enjoying themselves: themselves in discussions about geography, current events, and, in doing so, developed their skills of looking slowly and listening actively.

To wrap up each Civilization Time, learners shared their reflections as a whole group, offering feedback, and highlighting strategies that had worked for them to keep on track with their daily and weekly goals. When I began asking who would like to lead the closing reflection after these sessions, many eager volunteers emerged. It was time to let them begin taking over and closing reflection, which turned out to be a simple process it was the most similar to their launch process, and Rules of Engagement with DTK support. For example, when the Civ Time Leader gathered the group at the end of a time-block, they would pose a general reflection question, like “What was the most interesting thing you discovered today when looking closely? What is your best “good question?”, then proceeded to moderate the conversation as they do in their regular discussions, weaving in DTK language and strategies to connect, notice, and share.

When we embarked on our second OOEL adventure, an Introduction to Planetary Health, I asked for a volunteer to lead Step 1 and someone to lead the Closing Reflection. There were several volunteers and as per our custom, a vote was held to decide who would be leading Step 1 and who would wrap up our OOEL Time. I took my lead from the learners; they gradually took over until they were running it all. I am present on our Neighborhood Walks to ensure everyone’s safety and security while exploring off-campus; otherwise, the learners are running the show. They schedule when we go on Neighborhood Walks, and they have lively discussions as we walk around our community.

In the future, I will continue to stand back and allow the learners to lead OOEL. It builds their self-confidence, encourages them to put their theoretical knowledge in practice, and helps them reflect on how history and the present intersect in their lives. By taking ownership of their education, the children deepen their understanding of the topics and take meaningful steps towards their life-long learning journey. Using OOEL with an increasing sense of autonomy for students has supported many moments that will keep them curious about the world around them, encourage them to invent, innovate and create, then pursue how to “fail forward” the next time to constantly seek to improve themselves and the world around them. Although my learning context may be unique, educators in any context can have their learners take the lead with OOEL and beyond.

The new COVID-19 reality has given us some hiccups for sure, however, I’m proud of our learners and their resilience. When we shifted from on-campus meetings to completely virtual interactions in mid-March, the transition was as smooth as it could be considering it happened over the weekend. Our plan is to continue with our OOEL Journeys. It’s a great opportunity to interact with other learners across the globe and exchange stories about how they’ve been impacted too. Overall, our little community has been flexible, continues to adapt according to updated COVID-19 guidelines, and is finding its own way to thrive.

——————————————————————————————————————–Alexis Cole is co-founder, learning arc designer, and guide at The Aspiring Phoenix Foundation (formerly Liberty Leadership), an Acton Academy affiliate in Bel Air, Maryland. She holds an MA in Curriculum and Instruction from Arizona State University and BA in Sociology from Taylor University. When she isn’t working on changing mindsets about education, she loves reading, cooking, gardening, crafts, and music. Travel is usually on the top of the list, but it has been quarantined for the moment.

Navigating a Culturally Complex World: An Introduction to the Three O’s Framework
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This piece was co-authored by Liz Dawes Duraisingh, Sheya, and Nir Aish from the Out of Eden Learn team.

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Overgeneralization. Overconfidence. Othering. These three overlapping behaviors make up the Three O’s.

  • Overgeneralization: making comments about whole groups of people as if everyone’s experience or perspective were the same.
  • Overconfidence: overestimating how much one knows or understands about a phenomenon or group of people, leading to a lack of curiosity or appropriate humility about the limits of one’s knowledge.
  • Othering: implicitly or explicitly conveying that one does not consider people from another group to be quite one’s equal, perhaps through a dismissive or overly pitying tone.

This framework emerged from a close examination of what students were generally learning about culture(s) on the Out of Eden Learn platform, as well as what they were learning more specifically about migration from the Stories of Human Migration curriculum. Data from these studies (including student work, dialogue, surveys, and interviews) displayed for the most part highly positive learning outcomes: for example, showing great interest in and concern for one another’s stories; developing more nuanced understandings about culture(s) and/or migration; and exhibiting greater self-awareness regarding their own identities and perspectives on the world. However, we also identified some subtle and occasionally not-so-subtle behaviors that felt less aligned with the underlying philosophy and intent of Out of Eden Learn: the Three O’s of overgeneralization, overconfidence, and othering (read more about these promises and pitfalls).

When we started to talk about these opportunities and challenges, educators unsurprisingly showed interest in the Three O’s: trying to help young people understand and navigate the cultural complexities of our contemporary world can be challenging and complicated. We wondered what further resources we could develop for students and educators and whether explicitly naming the Three O’s upfront would be helpful. During a recent OOEL launch, we piloted a video that attempted to explain the Three O’s to students before they engaged on Out of Eden Learn and asked a group of educators to explicitly discuss the Three O’s with their students in class.

Over recent weeks we held informal Zoom-facilitated focus groups—some with students aged 10-13; others with students aged 13-18. The students came from a range of family backgrounds and geographic locations: Adelaide in South Australia; a village in Bihar, India as well as the city of Thane—and in the United States, small towns and big cities in: Massachusetts, Illinois, Connecticut, Wisconsin, New Hampshire, and the Hawaiian island of Hawai`i.

Did students find it useful to have the Three O’s named before interacting with peers living in different contexts to their own? What did each of the Three O’s mean to them? What connections did they make between the Three O’s and other aspects of their life? Have they Three O’d others? Have others Three O’d them? We also separately interviewed teachers to learn from their experiences and perspectives.

What we have been learning reflects the stark realities of our time and offers a good deal of hope. Students expressed a genuine desire and commitment to learn about—and talk about—the Three Os. They shared experiences and observations from their daily lives in ways that indicated multidimensional applications of the Three O’s. In upcoming blog posts we will share their insights along with practical classroom tools we are in the process of developing. We believe these tools and insights might help other students–and indeed all of us–to interpret and navigate our complex world, both on- and offline.

If you are interested in learning more about the Three O’s framework, join OOEL team members for an upcoming two-part Project Zero online virtual workshop on August 10th and 12th.

Screen Shot 2020-07-31 at 2.54.53 PMWe hope to see you there!

Exploring the Connection Between Ecosystem Changes and Human Health: A New Video About Out of Eden Learn’s Planetary Health Learning Journey
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This post is authored by Devon Wilson and Shari Tishman. Devon Wilson is a research assistant at Project Zero, where he works on the Out of Eden Learn project and the ID Global project. Shari Tishman is a co-director of Out of Eden Learn.

Out of Eden Learn is excited to share a short new video about the Out of Eden Learn learning journey, An Introduction to Planetary Health. The learning journey, developed in collaboration with the Planetary Health Alliance, helps students explore the relationship between environmental change and human health, and the video tells the stories of students and teachers from three different parts of the world who participated in a learning journey together in the fall of 2019. Though the video was completed just days before the onset of the Covid-19 pandemic, it feels especially relevant today.

As communities around the world entered lockdown in early 2020, a consequence observed by environmental researchers was an associated decrease in CO2 levels internationally along with a flourishing of many natural environments due to the reduced presence of humans. At the same time, the disparity of COVID-related health outcomes across communities has led to a dramatic increase in awareness of how local and global environmental conditions contribute to human health outcomes.  Many refer to this moment as an opportunity for a “great realization” – a moment to look at ourselves in the mirror and say that we cannot continue on as we previously have. Yet as economies begin to re-open, we already see increases in CO2 and environmental degradation, and most systemic issues affecting human health continue to persist. Indeed, with the loosening of environmental regulations in the name of economic recovery, these issues threaten to become worse. 

As we begin to return to classrooms around the world—whether online or in person—we are presented with a fresh set of opportunities to do things differently. The Introduction to Planetary Health learning journey gives students the opportunity to actively explore the intersection between environmental systems and human health—in their own communities and around the world.  Like all Out of Eden Learn learning journeys, students take walks in their own neighborhoods, investigate themes that have both local and global relevance, and share stories that matter to them with their online peers. Also like all Out of Eden Learn offerings, the learning journey is entirely free. It takes about 8-10 weeks to complete, and it can be used in online, in-person, or multimodal classrooms.  The curriculum can be viewed on the Out of Eden Learn website. The next round of OOEL planetary health learning journeys launch in September and October.  If you’d like more information or are interested in signing up, contact us at learn@outofedenwalk.com. In the meantime, we hope you enjoy the video!

Listening to Learn: An Open Letter to Our Community
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Greetings to our Out of Eden Learn Community and other readers of this blog,

We have been thinking about our community members in different places and contexts at this extraordinary time.

As you know, the Out of Eden Learn team is physically situated in the United States, where recent and ongoing events connected to police brutality and racial injustice have reverberated around the world. We recognize the importance of speaking out in solidarity with communities of color—and in particular, the African American community within the US. We did not rush to put out a statement about our values and support for the wave of protests and what feels like a real opportunity for social and political change. As a predominantly white-presenting team situated within a predominantly white research organization, we’ve been focusing our team’s energies on listening rather than speaking, while individually participating in local Black Lives Matter protest events and other advocacy. We’ve also shifted some of the ways we use our social media and have been sharing posts from trusted organizations that more squarely address matters of social and racial justice. It now feels time to open up a more direct conversation with our community.

We believe that our collective work is as relevant as ever at this time—namely, breaking down barriers among young people and encouraging them to learn thoughtfully both with and from one another by slowing down, sharing stories, and making connections. During the past several weeks, for example, we have been conducting virtual focus groups with young people who have been working with our Three O’s framework of overgeneralization, overconfidence, and othering, which supports young people to both reflectively and critically engage with the world—online, in person, when reading the news, etc. Students’ thoughtful responses to our questions reveal that they are finding this framework to be a salient and powerful tool for interpreting and navigating the fraught and complicated world in which we all live. We invite you to scroll through some of their comments in the gallery below, and we look forward to sharing more about this work with you soon.

We have also been learning from educators about best practices for using our Dialogue Toolkit in order to promote thoughtful online and in-person interactions, including among youth who would not ordinarily encounter one another or who know little about each other’s lives. And we have been working on a video that captures what students have been learning about the interdependency of systems related to environmental and human health via our Planetary Health curriculum. We will share these new resources with you soon.

Nevertheless, while we believe all this work to be relevant and worthwhile, there are some genuine puzzles associated with doing international work focused on intercultural exchange across very different settings. Some questions on our mind include: Is OOEL paying too little attention to global inequities, including ones related to racial injustice? Is the project effectively upholding the status quo by not directly promoting activism or more critical debate? Because of the pseudonymous nature of the platform—and the extremely limited sharing of demographic information (e.g. race, gender, etc.)—are OOEL students and teachers steering clear of potentially uncomfortable and complicated, yet ultimately important conversations? As a research team, we recognize that we do not fully understand the specific learning experiences of students who experience various kinds of marginalization in their daily lives, nor have we persistently asked how we might serve them differently or better. Given the composition and geographic location of our research team, we undoubtedly have blindspots and biases in the most fundamental ways in which we develop the program and conduct our research.

As we reflect on what we need to do both in the short term and long term to improve our work, we recognize that we need our community’s help. One first step will be to send out a short survey to our educators in the coming days. The survey will ask the following four questions. We invite you to consider them now, and we warmly—and humbly—look forward to your survey responses.  Stay tuned for an email with the link to the survey.

  1. Consider one or more students in your classroom who might experience some type of marginalization and/or inequities—perhaps for different reasons, such as racial-, ethnic- or gender-based marginalization or inequities due to cognitive or physical differences. How, if at all, are they already experiencing safety and inclusivity on OOEL? For example, are there specific footsteps or activities that work particularly well for these students?
  2. What additional resources or strategies are you using to help support these students to participate in OOEL?
  3. How could the OOEL program be more inclusive for students who experience marginalization or inequity in their daily lives? How might specific features of our program, platform, or curricula be modified to better support these students?
  4. Some aspects of the OOEL curriculum encourage students to explore connections between their everyday lives and bigger systems. Are there specific ways that you think OOEL already helps students explore how systemic racism or local and/or global systems that promote different kinds of injustices such as economic, health, or environmental injustices?
  5. Would you like OOEL activities to do more to help students delve deeply into how local and global social and economic systems work, and how students themselves might be connected to such systems?  If so, what would you like to see?  What ideas would you like to share with us?     

If anyone reading this blog would like to leave a comment or email us at learn@outofedenwalk.com, we would welcome your thoughts. With resolve, intentionality, and humility, we hope to take the necessary steps to move onward and upward together.

With love,

The Out of Eden Learn Team

A SNAPSHOT OF THE CURRENT LEARNING LANDSCAPE PART 3
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Morgan Nixon, an international ELL educator and student in the Technology in Education program at the Harvard Graduate School of Education, is working with the Out of Eden Learn (OOEL) team as a research assistant this semester.

This piece is the third in a series of Learning Landscapes—or weekly distance learning news, strategy, and big-picture updates. Similarly to parts one and two of this series, I have created a slideshow highlighting some key themes I noticed surfacing online this week as educators, administrators, and parents continue to navigate distance learning.  While the conversations I am looking closely at are mostly happening within the United States, emerging themes should be relevant to readers around the world. This week’s ‘winding words’ are: the future of learning, technology: digital divide, technology: new opportunities, and instructional approaches. You might notice that accompanying each of the key themes in this week’s slides are a set of reflection prompts for readers to consider as they explore the featured resources. We invite you to share some of your reflections in the comment section below. I hope you find this week’s online learning landscape helpful.

 

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A SNAPSHOT OF THE CURRENT LEARNING LANDSCAPE PART 2
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Morgan Nixon, an international ELL educator and student in the Technology in Education program at the Harvard Graduate School of Education, is working with the Out of Eden Learn (OOEL) team as a research assistant this semester.

This piece follows up on the one I shared last week. I have taken the time to synthesize some key themes I saw coming up online this week, as educators continue to navigate—and adapt to—the new reality of distance learning.  While I’ve focused on what is happening within the United States, many of the emerging themes should be relevant to readers from around the world: this week’s ‘winding words’ are flexibility, basic needs, voice, special needs, and professional development. I hope you find my presentation useful.

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A Snapshot of the Current Learning Landscape
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Morgan Nixon, an international ELL educator and student in the Technology in Education program at the Harvard Graduate School of Education, is working with the Out of Eden Learn (OOEL) team as a research assistant this semester.

In order to support our educator and learner community, it is important for the OOEL team to follow what is on educators’ and caregivers’ minds during the COVID-19 pandemic. As a research assistant and member of the OOEL team, I have put together this slideshow synthesizing some of the main themes I have been seeing in the media recently.

I hope you will find it useful if you want to know what educators are talking about at this fast-moving time, but do not have the bandwidth or time to follow lots of news feeds.

 

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Slow Looking and Deep Learning in the Graduate School Classroom
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This January, nineteen students at the Harvard Graduate School of Education spent two weeks immersed in an intensive course on slow looking. The class was taught by OOEL co-director Shari Tishman. Linked in spirit to Out of Eden Learn’s theme of slowing down to observe the world closely, the purpose of the course was to help graduate students explore the connection between slow looking and deep learning.This is a picture of a student sitting in a tree.

The class activities took place in a variety of locations. One brisk January day was spent outdoors at the Arnold Arboretum, a research center and public park in the Jamaica Plain neighborhood of Boston, where students spent several hours observing a single tree. Another day was spent in a lab at the Harvard Art Museums where students explored the complexity of everyday mechanical objects—first by carefully taking apart a discarded object (broken hair dryer, old phone, electric fan); then by looking at artworks in the museum related to the transformation of everyday objects (Louise Nevelson, David Smith, Willie Cole); and finally by using the parts of the disassembled objects to make assemblages of their own (imagine a large-mouthed monster with the jaws of a phone receiver. The activity was inspired by Project Zero’s Agency by Design project. The website lists several routines and resources available to all educators.

This is a picture of disassembled mechanical objects, remade into other assemblages. Specifically featured here is a large-mouthed monster with a phone-receiver serving as its jaw.Toward the end of the course, a particularly memorable afternoon unfolded in the cozy interior of Harvard’s Woodberry Poetry Room: Students began by leisurely browsing its beautifully curated collection of poetry, and then settled in to listen slowly and repeatedly to an audio recording of Native American poet Layli Long Soldier reading her poetry aloud. (The Woodberry Poetry Room has an amazing archive of poet audio recordings freely available online in the Listening Booth.)

Several students in the course were professional educators, and they found that the principles of Out of Eden Learn—slowing down, sharing stories, making connections—resonated with their teaching goals. They left the course excited to introduce slow looking into their own classrooms, and excited to introduce Out of Eden Learn to new audiences. Learn more about the connection between slow looking and deep learning at Usable Knowledge, a digital publication of the Harvard Graduate School of Education.

 

The Universe as Classroom
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Charlotte Leech, writer of this piece, co-founded Loka together with Sanat Kumar. Paul Salopek visited Loka on his walk across Northern India, and later met up with the Out of Eden Learn research team there.

Once upon a time there was a Small School with Big Dreams called Loka. It was tucked away along the Punpun river in Bihar, North-India. This school was not just a building with classrooms. It also had a farm, a flower garden, lots of trees, fields to play, pets and was surrounded by endless farming fields, chimneys of brick factories and other small villages. Children learning at Loka lived with their parents in muLoka 1d huts or simple unfurnished brick houses. They were mostly small-scale farmers and labourers. At school the children learned many things, not just from books, but also by exploring, creating, imagining, tinkering and through dialogue and reflection. At the end of every school day the children cleaned the campus and made sure to keep their surroundings neat, colourful and beautiful.

Loka 2

loka 3One day a man and a woman arrived at the gate of this remote school or free space. The man was Paul Salopek and he was accompanied by his walking partner Bhavita. Paul came walking all the way from Ethiopia and was on his way to Patagonia. He was curious to learn about people and places across the globe and write stories about them to share with the wide world. His long traverse was called ‘Out of Eden Walk’ and brought him to many unknown areas, just like the village where Loka’s school was emerging. Paul spent some days with Loka’s students, and the children were amazed by his journey. “Why walk by foot, why not use a car?” a puzzled student asked.  Another wondered what Paul thought about Bihar – a state often depicted in mainstream media as dangerous, corrupt and poor. “Bihar is Beautiful” he said, “and the people are kind and welcoming.” Everybody at Loka was inspired by Paul’s story and presence, and his choice to give up everything and live a different life. Likewise, Loka had touched Paul’s heart, it seemed, as just over a month later he returned with a wonderful group of researchers from Project Zero, a research center at Harvard University. Every couple of years Paul met with them to have a conference about Out of Eden Learn (OOEL), an online platform for cultural exchange the researchers developed which is linked to Paul’s Walk.

During their stay at Loka, three Project Zero researchers, Shari Tishman, Carrie James, and Liz Duraisingh, organised a learning walk.

Students went in pairs on a slow walk and were given the assignment to look closely at something they never looked closely at before.

 


Students carefully observed:

  • An ant walking over their hand.
  • A mango tree. Its flowers.
  • A mud oven. Good to boil the paddy.
  • An eggplant. Its leaves are rough.
  • A hole in the field. Possibly a rat’s home. When looking more closely, it looks
  • like a well.

After the slow walk, everybody shared their observations and responded to each others’ findings through ‘Appreciations’, ‘Wonders’ and ‘Connections’.

Dinesh: “Somebody wrote about the eggplant; why the flower comes first and not the fruit. That made me wonder.”

Sanatan: “I would like to say something about connection. Many children started their questions with the word ‘why’. That is a connection.”

Liz (researcher): “I want to congratulate your spirit and the way you did the activity. It was very beautiful to see.” (Appreciation)

Everybody at Loka learned a lot during the visit of Paul and the Project Zero team After their departure, students started to participate in OOEL.  Imagine children who, until 5 years ago had hardly met anyone outside their locality, were suddenly involved in an international online cultural exchange! Through OOEL, Loka’s students started to slow down, look more closely at their surroundings and share stories of their neighbourhood. They would also respond to stories, photos, videos and other assignments of their ‘walking partners’, children of other schools from all other the world. One of the assignments was to make a neighbourhood map. Some of the maps were created so attentively by Loka’s students that after posting them online, they received many appreciations. One boy from America commented on Dimple’s map: “Could you share some drawing tips?” Dimple never had proper drawing classes, so he explained how he imagined an image that he kept in his mind while drawing. There were also funny moments. For example, when somebody commented on LittiChowkha’s1 introduction post: “Cool that you live in India” and LittiChowkha (1) replied with: “It’s not cool in India, it’s hot!”

After Loka’s students completed their first learning journey, the list of things they said they had learned turned out to be endless. They mentioned practical skills such as improving their English, conducting an interview, making a video and writing an email. They also made observations that were especially interesting coming from children who, until then, had little access to the rest of the world. “Not everywhere is the same as in our village” one student observed. “I learned about the rest of the world by sitting in my school” another added. Other learning points mentioned by students included: how to make a slow walk and observe the big things and small things; looking more deeply; understanding the meaning of the everyday, and learning new words never used before which can make stories more interesting.

This is how a visit from a walking storyteller and a team of highly intelligent people deeply interested in education enhanced the mission of a small school with big dreams. What about the future? Students are eager to start their next OOEL learning journey. Besides that, the school will soon be enriched with a Maker Space through which students will be equipped to uplift their surroundings and–on village scale–create the kind of world we would all wish to live in. And how that world will look? Imagine the Impossible… because that is what children do.

(1) Username created by student especially for OOEL.

 

 

Mapping Local Planetary Health in Chicago
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Mike McPharlin is a 5th grade teacher at the Francis Parker School in Chicago, Illinois, USA, and a longtime member of the Out of Eden Learn Community.

Spending the second semester doing a deep dive into Planetary Health opened my students’ eyes to the role of choice and its impact on the interdependence of environmental health and human health. As we looked closer into this topic, our gaze inevitably turned towards our home city of Chicago. With a population of almost 3 million people, 22 miles of coastline, 156 miles of waterways, and over 8,800 acres of park space, Chicago is a fascinating urban example of the successes and failures of how humans choose to interact with the environment around them. The students were excited to learn that the new mayor of Chicago, Lori Lightfoot, has committed the city of Chicago to reaching 100% renewable energy by 2025.

While this made the students proud of their city, we also looked closely at the sobering results of the recent UN report released by the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) in the Spring. The report summarizes that, “The health of ecosystems on which we and all other species depend is deteriorating more rapidly than ever. We are eroding the very foundationmike 2s of our economies, livelihoods, food security, health and quality of life worldwide.” (1) We also read an article about the decline of fireflies and monarch butterfly populations, specifically in Chicago.  The students were struck by statements like, “Chicago and the surrounding area has already seen “significant” declines in its insect and bat population,” said Andrew Wetzler, managing director of the Nature Program at the Natural Resources Defense Council. Monarch butterflies — the orange and black butterflies that flutter around gardens and flowers in the spring and summer — and fireflies, a staple of many Chicagoans’ childhoods, are expected to be among the local insects that will be lost. Insects like butterflies and creatures like bats are pollinators, and plants need to be pollinated to produce food.

“We’re profoundly dependent on nature. One out of every three bites of food that we take are pollinated by an insect or bat,” Wetzler said. (2) While this article pointed to an unfortunate reality here in Chicago, it also gave the students hope that there is still time to make a difference through actionable choices that are already happening throughout the city. Identifying those actions and creating a record of what is being done locally to share with the community, and our walking parties as a means to inspire action became the goal of this mapping project.

mike 1

The first step was to brainstorm topics that could be the focus for our maps. Students drew from our neighborhood walk in Footstep 1 where they identified things that could have an impact on human and environmental health. This slow look into our immediate area had raised questions like, “How much green space is there? Green roofs?”, “Will habitat restoration really make a difference?”, “How many miles of bike lanes have been established?”, “Do farmer’s markets really make a difference in energy consumption and quality of food?”, “If so, who had access to farmer’s markets and who didn’t?” We considered the choices that had been made in our community of Chicago, and thought about who had the power to make those choices and who didn’t. Ultimately, we settled on the following topics to research further and the students self-selected the specific topic they wanted to explore and map.  Students studied: bike lanes and location of bike share stations, farmers markets, native plant restoration, Chicago River clean up, green roofs, and public transportation.
mike 3Students began by researching everything they could find that was happening at a local level, who was doing the work and what the issues were the Chicago community is trying to fix.  They explored innovative ideas like robots being used to clean up the river. They discovered areas of the city that contained no farmer’s markets and were introduced to the concept of food deserts. They discovered the importance of planting native species in their own gardens and the impact that can have on pollinator populations.

mike 4

From there the students used information they found as KMZ files on the City of Chicago data portal and imported that into Google My Maps. They also dropped pins adding information and links to existing sites to provide  further information. Pictures and videos were added to provide media. Once completed, all of these different layers were uploaded onto one map that can be shared with our community to inform and inspire work that is currently happening.

5M Planetary Health Map – Chicago

This project came together quickly towards the end of the school year so there is a lot of room for development and improvement. Things we are considering for the next iteration of this project (including the time of year we work on it) are possibly focusing on a specific topic and diving deeper into that.  We are also considering a partnership with a local organization and giving students space to develop their interview skills to gather information. This could also include a site visit, which would give the students a chance to create their own content through 360 degree photos or video. We are also interested in exploring the structures of power when it comes to decision making for Planetary Health here in our city. There is also the possibility of exploring other platforms to convey information such as the ArcGIS platform by ESRI for mapping.

With all the challenges our world faces, students need to feel empowered that their voices can be heard and that those voices can be used to teach or inspire others. These maps were a step in that direction.

1. https://www.un.org/sustainabledevelopment/blog/2019/05/nature-decline-unprecedented-report/

2. https://blockclubchicago.org/2019/05/09/fireflies-monarch-butterflies-could-die-off-in-chicago-due-to-climate-change/

Slow Looking Through a Big Data Lens
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Kate Tanha is a student at Minerva Schools majoring in Computer Science, with an interest in politics and psychology. The data shared in the post below is a result of analyses conducted by Kate using Wolfram, an application for computational programming.

In the summer of 2019, I spent four weeks at Project Zero working with the Out of Eden Learn team. Deeply interested in discovering and sharing stories in data, I was excited by the potential to investigate the impact of a design-based research study like Out of Eden Learn (OOEL). To date, OOEL researchers have conducted qualitative analyses of the data (student posts, comments, etc.) on the platform. While nuanced findings are more likely to emerge when using qualitative approaches, quantitative analysis can yield interesting insights from particularly large data sets. For example, a large data set might be the over 115,000 posts and more than 260,000 comments on the OOEL platform. As an OOEL Research Assistant, I set out to unearth what was buried in this trove of data. When conducted responsibly with nuanced interpretations, big data can help uncover stories we might not otherwise have seen, illuminating the diversity of the OOEL community.

To date, over 30,000 students have participated in Out of Eden Learn’s free online learning platform from 60 different countries (Figure 1) and 399 different cities (Figure 3) around the world. In the United States (US) alone, the platform has reached 44 different states. About 60 percent of the students on the platform are from the US, which is not surprising considering that OOEL is based in the United States. One of the first insights during my research was: once we look at city-level data, the most commonly represented city is—surprisingly—not in the US or North America, but is instead Serpong, Indonesia, as shown below in Figure 3. In the following word clouds, the size of each entity—country or city—depends on its frequency i.e. the number of students registered to participate in Out of Eden Learn in each country/city.

A word cloud of all the countries where students participate in Out of Eden Learn from. There are sixty countries total.

Figure 1. Countries represented in the Out of Eden Learn platform, where the size of each country is scaled by the number of students participating in that country.

A word cloud of the countries where students participate in Out of Eden Learn from, excluding the United States.

Figure 2. Countries represented in the Out of Eden Learn platform (excluding the United States), where the size of each country is scaled by the number of students participating in that country.

A word cloud of the 399 cities represented on the Out of Eden Learn platform.

Figure 3. The 399 cities represented in the Out of Eden Learn platform, where the size of each city is scaled by the number of students participating in that city.

Undoubtedly, the OOEL platform represents a diverse cohort of students from all around the world, a claim further supported once we look at the languages students report they speak at home. To date, we have students that speak 144 different languages on the platform (Figure 4). This incredible diversity of languages include: Tongan (an Austronesian language spoken in the Polynesian country, Tonga), Wolof (the Niger-Congo language of the Wolof) and Basque (a language spoken in the Basque Country with 750,000 native speakers).

A word cloud of the 145 languages that students at the Out of Eden Learn platform report they speak at home.

Figure 4. Languages that students on the Out of Eden Learn platform report they speak at home. The languages here are not scaled, meaning the number of students that report the same language does not affect the size of the text.

Another intriguing question relates to the content of student participation—specifically, which curricular activities generate the most engagement? Currently, OOEL offers four Learning Journeys (i.e. curricula): Core Learning Journey 1: The Present and the Local, Core Learning Journey 2: The Past and the Global, Stories of Human Migration, and An Introduction to Planetary Health. Each curriculum is subdivided into various Footsteps, a set of curated activities and online sharing using the OOEL platform. A core component of OOEL’s philosophy and model is the importance of opportunities for young people to engage in meaningful online interactions to complement their offline learning and reflection. 

Answering this question proved to be a challenge because we needed to begin with a comparable indicator of dialogue and settled on the number of comments as the indicator. Next, we had to find a way to standardize the entire dataset. To illustrate the problem, Learning Journey 1 has been running since 2014 when OOEL’s platform launched and consequently has far more posts and comments, while Stories of Human Migration launched in 2016 and therefore has fewer posts and comments. As a result, determining how to make meaningful dialogue comparisons between learning journeys became a puzzle.

We sought to solve this problem by defining a measure of Dialogue, where we scaled the total number of comments by the total number of participants in the particular learning journey. In other words, we had an approximate measure of how many comments each student is likely to make during the course of the learning journey. Then, we divided this figure by the scaled dialogue in each learning journey and found the percentage of Dialogue Action. Consider an arbitrary Learning Journey, X:

An image of the equation: Dialogue= Total number of comments in Learning Journey XTotal number of participants in Learning Journey X Dialogue Action = Dialogue for Learning Journey XSum of Dialogue for all Learning Journeys* 100

Figure 5. Dialogue Action for each learning journey. According to our metric, Learning Journey 1 received the highest dialogue while Stories of Human Migration received the least dialogue.

As we can see above in Figure 5, Learning Journey 1 has the most Dialogue Action while Stories of Human Migration seems to have the least. At this stage, there is another caveat: we are yet to account for depth to understand the data. 

Gauging the depth of student dialogue is easier for an educator with years of experience in both pedagogy and working with students, but a difficult feat for a mindless computer! The OOEL platform currently logs the total number of comments and the comments themselves in response to each student post. It is possible to retrieve the length of each comment from this dataset. Though we understand that comment length is not always going to be an accurate representation of “deep” commenting, we needed to begin with a broad indicator and settled on comment length. 

Through this analysis, once we compare learning journeys, it is apparent that Stories of Human Migration (SoHM) has a greater proportion of comments that are longer in terms of word count, despite a relatively low score for Dialogue Action (Figure 6). This made sense because of the structure of the SoHM curriculum, which invites students to share deeply meaningful stories of their own and connect with one another around the topic of human migration. Students are, on average, writing longer comments for posts in the SoHM learning journey.

Figure 6. Distribution of comment length in Stories of Human Migration (SoHM), with the number of comments with a specific length as a callout outside each pie. Although Stories of Human Migration had the least dialogue according to our Dialogue Action metric, we noticed that SoHM has the greatest proportion of longer comments (compared to Learning Journey 1, Learning Journey 2 and Planetary Health, as seen below in order from left to right).

Figures 6,7,8,9. Distribution of comment length in Stories of Human Migration (SoHM), with the number of comments with a specific length as a callout outside each pie. Although Stories of Human Migration had the least dialogue according to our Dialogue Action metric, we noticed that SoHM has the greatest proportion of longer comments (compared to Learning Journey 1, Learning Journey 2 and Planetary Health, as seen below in order from left to right).

Figure 6. Distribution of comment length in Stories of Human Migration (SoHM), with the number of comments with a specific length as a callout outside each pie. Although Stories of Human Migration had the least dialogue according to our Dialogue Action metric, we noticed that SoHM has the greatest proportion of longer comments (compared to Learning Journey 1, Learning Journey 2, and Planetary Health, as seen above in order from left to right).

During my final week on Out of Eden Learn, I focused on text analysis. Since we are still trying to improve the reliability of our results, I will only discuss my procedure. Researchers at OOEL are interested in the overall emotionality of student comments. In modern machine language terminology, this is a classification task, in which we want to predict the label—or emotion—of a given piece of text. Classification tasks generally involve two major steps: at first, a dataset is fed into the computer with annotated samples (the training set) and an algorithm is trained using this data set to classify a new set (the test set). We usually check the accuracy of the classifier on the test set i.e. how many of the sentences were labeled correctly. 

Machine learning is about detecting patterns. The training set in our case was a list of texts with their labeled emotionality. While such analysis is a relatively popular field, there are various competing theories of emotion in psychology and hence, various training sets to choose from. Broadly, these theories involve either labeling discrete emotion labels such as fear, sadness, anger, joy, etc., or characterizing sentiment as a distribution over various polarities (positive, negative, mixed) and intensities (high, medium, low). The OOEL researchers were interested in the former approach of discrete emotions, so I trained a classifier on two different datasets, one containing 4,870 annotated tweets from Twitter and the other trained on selected texts from the Gutenberg Project. Unfortunately, there were too many discrepancies on both classifiers’ results. Presumably, this is because comments on OOEL have a very different pattern compared to tweets from Twitter or texts from novels. So, we began the work of training another classifier on a different OOEL dataset from a prior analysis of dialogue on the OOEL platform, which identified major themes from participant responses. Early results showed promise—for example, we were able to identify a spike in emotion for certain footsteps, such as Documenting the Everyday (Footstep 5 in Learning Journey 1) and Everyday Borders (Footstep 2 in Stories of Human Migration). We hope to continue this work in the future.

During my first week in OOEL, I attended the Vision and Justice Convening, a conference at the Harvard Radcliffe Institute on the intersection of art, race, and justice. When asked about the role of machines in predicting the trajectory of someone’s life, lawyer and activist Bryan Stevenson shared an anecdote of someone with a history of childhood abuse and multiple offences, who nevertheless went on to lead a very productive life with a happy family—an unexpected outcome compared to what crunching numbers would have us believe. Stevenson further expanded that it is imperative for data collectors and analysts to be mindful of their own biases and to have compassion for the subjects whom they are researching. My experience on Out of Eden Learn has reinforced this view, showing me how educational analytics are useful insofar as we collect student data in a thoughtful and responsible manner and we carefully consider the kinds of questions we ask.

Announcing a New Partner: QFI
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Out of Eden Learn (OOEL) is honored to announce a gift from Qatar Foundation International (QFI).

QFI shares with OOEL a commitment to supporting students and educators in developing more nuanced understandings of culture, with a special focus on cultures in the Arab world.  We invite readers to explore QFI’s active blog through which they showcase the inspiring work they do with students and educators in primary and secondary schools, universities, and nonprofit organizations.

Their gift will support OOEL’s ongoing work to connect young people from different places in the world for meaningful exchange. It is also an opportunity to revisit our partner journalist Paul Salopek’s writings from his journey through the Arab world in the earliest stages of his Out of Eden Walk.  We are hopeful that our collaboration will encourage more students from the Arab world to take part in our learning journeys. QFI’s gift will allow us to build on our newer initiatives, including our new Planetary Health Learning Journey,  expanded dialogue toolkit, and ongoing research on culture, online dialogue, and engaging youth around the topic of migration.

We look forward to the next steps along our journey with our new partners at QFI.

[You can read QFI’s announcement about our partnership on their blog here.]

qfi website

 

Uncovering the Big Idea of Planetary Health
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Out of Eden Learn and the Planetary Health Alliance have partnered to develop the Introduction to Planetary Health learning journey—a new special curriculum on the Out of Eden Learn platform.  The purpose of the learning journey is to introduce young people to the complex subject of planetary health and help them uncover connections between planetary health and their own lives. To supplement the curriculum, we created the video below, along with this text. In the video, Chris Golden from the Planetary Health Alliance and Shari Tishman from Out of Eden Learn discuss “The Big Idea of Planetary Health.”

 

A special thank you to Alex Griswold at Harvard’s Center for the Environment for his generous contributions and for filming the video featured in this post.

New Dialogue Moves in Action: How Out of Eden Learn students use POV, Challenge, and Name tools
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This post was co-authored by Susie Blair and Carrie James.

We recently announced the expansion of Out of Eden Learn’s online Dialogue Toolkit to include three new dialogue tools: POV, Challenge, and Name.

The impetus behind these new tools is to support students to practice dialogue strategies that can deepen their conversations and, in turn, their understandings of their own and others’ stances on meaningful issues.

In this post, we provide examples of how OOEL students have used these dialogue moves. The student work we share is drawn from a pilot we carried out with one walking party (online learning group) taking part in our Stories of Human Migration curriculum in the spring of 2018. The pilot included students and educators in five classrooms in diverse contexts in the United States and one classroom in Australia.

For each move below, we share a few different ways in which students put the move into action. We then point to insights from pre- and post-surveys with students and conversations with educators, offering specific suggestions to support students in their use of each move.


The POV (point of view) move is an opportunity for students to express their ideas and opinions to an authentic audience of young people whose backgrounds (and possibly viewpoints) may be different to their own. In our pilot walking party, we noticed students using this move to share their perspectives on a variety of themes prompted by the curriculum—including “everyday borders,” media accounts of migration, political discourse around migration, and other topics  relevant to migration and students’ related lived experiences.

One student’s Everyday Borders post raised the perspective that social media can erect boundaries in communication because of the absence of facial expression and tone. In response, student Lindashi acknowledged the original poster’s perspective and offered a similar POV:

I completely understand people often communicate with each other on social media. I think we should have more face-to-face communication. Therefore, It can improve the relationship between people. – Lindashi (Adelaide, Australia) commenting on LindaZ’s “Everyday Borders” post

In a later comment, a student from the U.S. shared an example of a different border that was more salient to his experience:

In my point of view it is a barrier to speak a different language because it’s hard to communicate with others. When I was younger going to school was hard because I didn’t understand English which was a big barrier for me. – CM18 (Oregon, United States) commenting on LindaZ’s “Everyday Borders” post

In this comment, CM18 is drawing on his personal experience as a young English Language Learner as the basis of his stated POV.  While we do not require that Out of Eden Learn students “back up” their points of view with specific details of their lives that may be influencing their perspectives (though we do explicitly invite them to do so with our new Name dialogue tool, discussed below) we are encouraged by the fact that some students feel comfortable enough on our platform to share such personal anecdotes.

Our Migration in the Media footstep activity—which involves comparing two journalistic pieces about migration—invites students to interpret and raise questions about media representations of human migration. In doing so, they often express their stances on the author’s handling of the topic itself, stating their own POV in opposition and starting a “dialogue” between themselves and the author.  

For example, one student explored how images of migrants used in news articles may reflect particular attitudes about migrants in the United States, then shared her own POV on the matter:

Every immigrant should be seen as a part of our community and no person can be illegal. I do believe the photographers had the same ideas I had when they took their images. – Angel8all, New Mexico, US

Educators reported that although sharing a POV (especially on a public issue or topic that might be sensitive) did not feel appropriate or warranted across all Stories of Human Migration activities and discussions, students did practice the move in different ways (as illustrated in the examples above). These students’  use of intentionally careful language appears to promote a positive tone in their discussions. In that spirit, the current iteration of our Dialogue Toolkit  includes suggested sentence starters for the POV tool—for example, “From my perspective…” and, “Some argue that… Others say…. In my opinion…”


The Challenge move is intended to push dialogue to go deeper as a means of raising critical questions—albeit while maintaining  a constructive, respectful tone. We encourage students to use the Challenge move not only to challenge one another’s POVs, but also to challenge narratives presented by various media sources as part of our Migration in the Media activity.

For example, in her original post, oReOs4LiFe expressed concern over the absence of refugees’ voices and perspectives:

While this fairly unbiased article gives insight into the diplomacy side of the story, and what the U.S. and Mexican governments have done to combat the issue, the voices of the migrants themselves seem to be absent from this story. There are quotes from the U.S. president, an administrator from the Agency for International Development, and also a member of an independent think tank, but none from the people that the measures taken will directly impact. Although they are a large part of the story, there have been no migrants or relatives of migrants interviewed on how this will affect them. I feel that the migrants, not just in this story but in this topic in general, are being treated like animals that have escaped their cages and are now trying to be shoved back in. –oReOs4LiFe, Maine, US

Like oReOs4LiFe, a student in Oregon shared a critical perspective on the article she examined about refugees. Taking care to own it as her “own point of view,” this student similarly pointed to concerns about missing perspectives:

What I can say from my own point of view [is that] this writer was very blunt and insensitive with the word choice. I feel the way I feel because this article is suppose to be in between, yet I see no in-depth refugee interview, and I think that there should be because this is a article about the people. – Alexis, Oregon, US

As with the previous example, this excerpt serves as an example of both the POV and Challenge moves, as Alexis offers her contrasting point of view as a means to challenge both the tone and substance of the piece she examined. Alexis is also careful to reiterate that she is speaking on only her own behalf—”What I can say from my own point of view—reflecting that she is aware that her opinion may not be shared by all of her walking partners. This student also is explicit when providing evidence to support her opinion, using the phrase “I feel the way I feel because

While educators reported that their students were often hesitant to use the Challenge move in relation to other youths’ perspectives, some tried out the move when commenting on their peers’ work. Lizcheng, a learner in Adelaide, Australia, appeared to carefully “Challenge” some claims made about the usefulness of social boundaries in another student’s Everyday Borders post:

And by your last sentence, could you please give some examples of what lessons can boundary teach us? I can fully understand that you want to hide sometimes to avoid those judgements and questions, but I think sometimes [facing] those judgements straightly and [using] actions to prove your ability might be a better way; you will find the people who truly know you along the way. – lizcheng (Adelaide, Australia) commenting on oReOs4LiFe’s “Everyday Borders” post

Here, lizcheng makes a point to find some common ground with her dialogue partner, stating that she “can fully understand” their point of view on social boundaries yet ultimately disagrees, asking for supporting examples of her walking partners’ claim that boundaries can “teach us lessons” and offering her own perspective as an alternative. This use of the move reflects a sensitivity to tone and tact, a theme that surfaced prominently in student feedback collected before and after our pilot via surveys; a large portion of respondents  advised that an online commenter remain respectful, non judgmental, and kind when challenging another’s POV online.

While it is certainly heartening that students are careful to practice politeness when using the Challenge in online spaces like Out of Eden Learn, it is important that this isn’t overemphasized to the point where dialoguers feel like they can’t disagree for fear of being considered rude. To preempt this potential roadblock, we have crafted sentence starting prompts like “Although I appreciate your point of view, I see it differently. I think that…” and “Another way of looking at it is…” to equip learners with concrete language with which to respectfully—yet firmly—challenge one another’s viewpoints. Additionally, some educators provided in-class time for students to draft comments, get feedback, and revise them before posting on the platform – offering additional opportunities for reflection and feedback on tone.


The Name move asks students to explore and make connections between their POVs and their backgrounds, experiences, identities, or the places they live and/or have lived. This move was designed to prompt learners to critically (and perhaps meta-cognitively) think about where their opinions and perspectives are coming from and to unpack the various pieces of their identity that may be at play (in the realm of social science research methodology, this concept is referred to as positionality).

Some students use this move to point to important features of their family’s and/or their own experiences that shape their perspectives on—and emotions related to—particular issues.

For example, one student used the Name tool in her response to a  “two-voice” poem by another student in Oregon in which they juxtaposed quotes from President Trump with excerpts from immigrant stories

Hi jg00, I really liked your poem. It kind of hit home because my parents and most of my family are Mexican immigrants. I really liked how one of the voices in your post was the opinion or point of view of Trump and the other voice was an immigrant.  – Lisbon (New Mexico, US) commenting on  jg00’s “Migration in the Media” post

Lisbon traces her emotional response to jg00’s poem to an important aspect of her identity: being a second-generation immigrant.  A crucial component of Out of Eden Learn is that students are required to remain pseudonymous, not sharing any identifiable or traceable information (including personal names, specific locations, or photographs of themselves). Some students report that pseudonymity is a positive affordance of Out of Eden Learn—they can feel freer to be themselves with less fears of being judged or stereotyped. By requiring pseudonymity among Out of Eden Learn students, we hope that they can feel free to share any and all parts of their identities that they feel are important and would like to share with others, rather than others making assumptions about them based on their outward appearance or presentation.

In contrast to Lisbon’s example, other students used the Name move to indicate the limits of their understanding, calling out that they had not had relevant or direct experience with the topic at hand:

My own view on migration is that I think it is a very sad and sensitive topic to talk about. I personally can’t say anything about it because my family has never been forced to move out of our hometown. My thought on it is that, each and every person, should be given a second chance at their life. If that means they are going to flee their country, they shouldn’t be stopped and told they have no rights to do so. – adetemple, Utah, US

Quotes like this illustrate another exciting potential of the Name tool. Just as students can use the tool to unpack their positionality as a means to qualify their opinions, they can also use it to detect their own blind spots, think critically about subjectivity, and learn more from those with relevant lived experiences.

For other students, the Name tool functioned as way to share more idiosyncratic parts of their identities—things like personality traits, interests, and attitudes:

I am thinking of how you write about the separation of people/friend groups from the point of view of someone who never really fit into any of them. I think this separation of people is discouraging for people who are going to a new school or group. Seeing people who already have their “thing” sports, art, math etc. it can be hard trying to find where you fit in.  A question i have from this viewpoint is why is it hard for some groups of people mix with people from other groups? I think this border can also be beneficial if you have found a thing you love and want to find others that also like it. – Athens_0 (New Mexico, US) commenting on HockeyGal15’s “Everyday Borders” post

In this comment, Athens_0 expresses an opinion that is specific to her identity as a young person who “never really fit into” any social group. She goes on to ask HockeyGal15 questions that are from this particular perspective: “A question I have from this viewpoint is…” It is important for students to recognize, as Athens_0 has, that their identity, experiences, and backgrounds influence not only their understanding of an issue but the kinds of questions or wonders they have, too.

Taking a cue from Athens_0’s comment, our latest iteration of the updated Dialogue Toolkit includes a similarly structured commenting prompt to support student use of the Name tool: “I am thinking of [the topic] from the point of view of someone who… [name the particular identity/experience that is influencing your perspective on the topic].

Educators reported that students were initially confused about the definition and purpose of the Name tool and how it differed from offering a POV. Trying out the move helped to clarify its purpose and power, however. As one educator reported, asking two students to Name the sources of their conflicting perspectives on a public issue in an in-class discussion helped each student listen to one another with more respect.


The jury is out on whether students in our expanded dialogue tools pilot feel any more confident when it comes to expressing their points of view and challenging others’, or if they better understand the ways in which their points of view are shaped by their own positionality. However, since the project’s inception, many students have shared that a major strength  of Out of Eden Learn is the diversity of perspectives they encounter. These three new tools are scaffolds to support more nuanced (and, at times, more critical) dialogue around such perspectives. As OOEL student Hockeygal15 commented on a peer’s culminating Collecting Our Thoughts on Migration post:

“…I think it is awesome how you included how important it is to connect with people from around the world because in my opinion, it was the best thing … that we could learn and hear each other’s thoughts and ideas, and whether to agree or disagree.

As you support your students in using our new dialogue tools, we hope you’ll draw inspiration from the examples shared here. Additionally, we have developed a resource, OOEL Dialogue Tools in Action, containing further examples of these new moves—and all nine of our Dialogue Toolkit moves.

 

Elevating Youth Voice: the Power of Participatory Design
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Every summer for the past 23 years, Project Zero has hosted an annual institute on teaching and learning known as the Project Zero Classroom at the Harvard Graduate School of Education. The institute is a convening of educators, administrators, and professionals from the non-profit and technology sectors from around the world. Throughout the week, participants attend a series of plenaries, study groups, and interactive courses, or sessions geared at exploring and trying out Project Zero ideas as well as other innovative pedagogical practices shared by members of the Project Zero community.

Out of Eden Learn (OOEL) educator Natalie Belli has regularly co-facilitated the Out of Eden Learn interactive course at Project Zero Classroom with members of the OOEL team. Natalie teaches at a public elementary school in Marblehead, Massachusetts. For three years, Natalie’s students participated in the course by sharing their work and engaging in dialogue with institute participants. In an effort to make this collaboration between researchers, educators and students more participatory, we tried something different this year. Two of Natalie’s rising 6th-grade students, Tatum Amberik and Finn Bergquist, co-designed and co-facilitated the 2.5-hour interactive course, drawing from their experiences as participants in Out of Eden Learn. Tatum and Finn led the majority of the course, with support from OOEL research assistant Susie Blair, Natalie and me.

Facilitation team

The OOEL facilitation team in front of the Project Zero project wall (left to right): Susie Blair, Sarah Sheya, Finn Bergquist, Tatum Amberik, Natalie Belli. The OOEL interactive course was offered two times during the week of Project Zero Classroom.

The most common uses of the term “participatory design,” also known as co-design, stem from the fields of IT, product design, and urban planning, which focus on the idea of “customer co-creation” (Trischler et al., 2018). However, the concept of participatory design has become common vernacular in a number of arenas in which there is an interplay of power, positionality, decision-making, and the voices of various stakeholders. There have even been exploratory studies involving learners in co-designing instruction (Konings et al., 2010). Some readers may notice connections between participatory instructional design and Youth Participatory Action Research (YPAR), a method of research that has developed over the past 10-15 years and is centered specifically around empowering young people to lead research projects within their communities, alongside practitioners and researchers, often in order to investigate community issues and propose and enact solutions (Caraballo et al. 2017).

At Out of Eden Learn, we believe it makes complete sense to involve students in the design of instructional sessions that focus on exploring and unpacking their own learning as well as the pedagogical practices that were most meaningful for them. After all, students make the best teachers. Our approach resonates with the notion of participatory creativity, which emphasizes that creativity is a distributed and participatory process (Clapp, 2016). We entered into the co-design and co-facilitation process of this year’s interactive course in that distributed and participatory spirit. We were intentional in honoring youth participation and themes common to participatory practices, such as elevating youth voice, holding space for youth agency, and, perhaps most importantly, simply listening to the young people involved in the design.

Participatory instructional design also provides opportunities for young people to authentically demonstrate their understanding and inquiry. Student co-facilitator, Finn, says it best: “During the mini course, I was able to be the teacher and the teachers were the students so they could see both sides of the learning environment.” She continues, “I also noticed how the participants seemed surprised when they found out what amazing work students can produce if teachers just let them color outside the lines a little, or even create their own design.”

This year the planning process was much different from previous years. Rather than assigning students their roles in facilitating, we began our initial planning meeting with a few open-ended questions, directed at the students: “What is the story you want to tell? What have you done on OOEL that is meaningful to you? What would you tell a friend who knew nothing about OOEL?”

Finn and Tatum dove right into brainstorming and reflecting on their experiences, then quickly began crafting ideas on how they might present their learning. The students seemed naturally empowered, which undoubtedly is a result of Natalie’s practice of cultivating student voice and agency in her classroom. Student co-facilitator Tatum explains, “It was a really different and cool experience to be teaching the teachers, but I didn’t feel uncomfortable talking to adults because we do so much debating in Mrs. Belli’s class. We don’t talk to her like she’s our teacher. We talk to her like she’s our friend.”

Tatum and Finn chose to center the course around a particular Out of Eden Learn footstep (or activity) that they had both enjoyed doing as participants in OOEL. The footstep is titled “Noticing Global Forces in the Everyday.” They began the session by introducing the term “global forces.” They then invited participants to brainstorm some common global forces, as well as connections between these forces. As participants offered up their ideas, Finn and Tatum drew a concept web on the whiteboard, making visible their students’ thoughts. They were also prepared to add in some examples along the way to keep the conversation going.


Finn reflects on this experience: “I found that when we were doing the mind map, people were just skimming the surface, not deepening their thoughts. I remembered back to when I first started Out of Eden Learn, this was like me just skimming the surface. After a little bit of nudging here or there, and by the end of the session, we were having more deep, more intricate discussions leading to questions, connections, wonders, and endless thoughts.”


After inviting participants to map connections between different global forces, Tatum and Finn then asked the class to go out into Harvard Square and try out the footstep. The instructions, adapted from the OOEL curriculum, were simple:

  • Take a slow walk of your own
  • Notice global forces along your walk; you can choose to photograph, sketch or film what you see
  • Along your walk, write down your ideas and questions

Tatum and Finn offered some strategies for slow looking and careful observation, inviting participants to “relish what they see” along their walks. The young facilitators also generated some reflection questions in preparation for the course, and when participants returned from taking walks, they were invited to debrief in small groups and consider the following questions:

  • What surprised you during your walk?
  • What were your strategies for noticing global forces?

Then when it came time to share out to the larger group, Finn and Tatum asked:

  • What did you learn from your partner/small group?
  • What did you do on your walk that was different from your partner/small group?

Reflecting on this segment of the session, Tatum says, “I loved talking to the mini course participants because of all the different perspectives they shared. On the Out of Eden Learn platform, we talk to other kids, so it was interesting to see how adults did one of the footsteps.”

The final student-led component of the course involved Finn and Tatum sharing some of their work from the Out of Eden Learn platform, which we printed and hung around the room. Tatum and Finn invited participants to use an analog version of OOEL’s online Dialogue Toolkit to comment on their work. Participants posted sticky-note comments to the work and engaged in informal conversations with the facilitators and each other.


Tatum reflects on this process: “At first I was worried that all of the participants would just say “great job” and “good work” when they commented on our student work, but their comments were actually very deep and interesting. We had different and thought-provoking conversations every time.”

The participatory approach to designing and facilitating the Out of Eden Learn interactive course laid the foundation for a facilitation ecosystem: adult co-facilitators created the conditions for student-driven and student-centered design simply by asking open-ended questions and stepping back to listen, while youth co-facilitators shared their own stories of learning, perspectives on pedagogical practices, and what was most meaningful to them throughout their learning experiences. Co-design and co-facilitation by students foreground and honor student voice, promote authentic demonstrations of Project Zero ideas, and provide powerful learning experiences for institute participants. Let’s do more of it.

An illustrated reflection on Out of Eden Learn
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In the summer of 2018, after graduating from the Arts in Education program at the Harvard Graduate School of Education, I worked as a research assistant on the Out of Eden Learn (OOEL) project. I had the opportunity to look through a lot of student artwork and dialogue on the platform. The delight I felt at the way students respectfully engaged with OOEL’s curriculum and each other was difficult to put into words. In the spirit of how OOEL students are able to capture complex themes through photographs, drawings, and diagrams, I drew on my background as a visual artist to create a few illustrations that I feel embody Out of Eden Learn. This graphic blog post is inspired by There is No Right Way to Meditate: And Other Lessons by Yumi Sakugawa, a book that inspired me to “be a silent witness to my thoughts” and creatively reflect on my time at OOEL.

 

 

 

 

 

 

 





 


Click here to access a downloadable PDF of these illustrations.

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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