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El primer evento en castellano de preguntas y respuestas con Paul Salopek // The first Q&A in Spanish with Paul Salopek
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Luz Helena Cano es asistente de investigación de Out of Eden Learn y recientemente se graduó del programa de maestría de Artes en la Educación de la Escuela de Posgrados en Educación de la Universidad de Harvard.

El viernes 16 de julio, llevamos a cabo la primera sesión de preguntas y respuestas con Paul Salopek. Nos acompañaron maestros y estudiantes que han participado en la versión en español de nuestro programa y también aquellos que se han unido a nuestros recorridos de aprendizaje en inglés pero que pertenecen a colegios bilingües. El rango de edad de los estudiantes que nos acompañaron está entre los tres y medio y los quince años y se conectaron a este primer Google Hangout desde Bogotá (Colombia), Albacete, (España), dos grupos de Buenos Aires (Argentina) y una clase en la ciudad de México (México).

Paul nos acompañó desde Biskek (Kirguistán) o “el ombligo de Asia” como él lo llamó, mientras hace las preparaciones necesarias para seguir adelante con el recorrido hacia la India. En su presentación nos contó detalles sobre su caminata e invitó a su compañero y amigo de caminata, Aziz a saludarnos y contarnos sobre el cruce de Uzbekistán con Paul el año pasado. “Es bueno reconocer que esta caminata no es una caminata que hago solo, siempre ando caminando con amigos y colegas locales que no solo vienen siendo traductores sino que son mis ojos para ver el paisaje y la cultura local y regional”, dijo Paul.

Muchas preguntas interesantes y profundas hicieron nuestros estudiantes a Paul. Por ejemplo, los alumnos de preescolar preguntaron por qué Paul no ha viajado a México o por qué hay guerras. También hubo preguntas por parte de estudiantes de secundaria sobre la familia de Paul, las barreras tanto físicas como emocionales y sociales que se ha encontrado en el camino y la formación de lazos con individuos o grupos en el camino.

Con respecto a esto último, Paul habló de que sus enlaces pueden parecer superficiales porque no pasa mucho tiempo con la gente, pero dijo que ha aprendido rápidamente a exponerse más fácilmente porque cuando va caminando a través de un “paisaje humano o una topografía humana”, se aprende rápidamente a exponer el corazón para hablar más honestamente, porque solo se tiene un tiempo breve para comunicar. “Las conexiones con la gente que me encuentro en el camino son muy significativas porque están muy marcadas por la generosidad y cada vez que alguien me saluda o me indica el rumbo o a tomar un café o un té es como una afirmación de este proyecto y se me pasa una palabra en la mente y es ¡sí!”

Aunque su recorrido a través de movimientos de refugiados y zonas de guerra en el Medio Oriente y Turquía lo ha puesto en peligro en ocasiones, esos incidentes son una minoría de los días de su viaje. Recalca que los recuerda muy bien porque son muy dramáticos pero insiste en que “lo más común es la bondad y la gentileza de la gente ordinaria que se encuentra en el camino”, sin importar la religión o la zona geográfica por la que pasa. “Me da esperanza, es una gentileza común a través de todas las culturas.”, dijo Paul.

Por otro lado, una estudiante le preguntó a Paul cómo hizo para tomar la decisión de hacer este recorrido y si fue un proceso largo o una decisión rápida. Su respuesta fue: “puedo decir que me he estado preparando para este viaje desde que niño, desde que cruce mi primera frontera entre México y los Estados Unidos. Fui a escuelas mexicanas, bailé bailes mexicanos y me enamoré al estilo mexicano, y lo que hizo eso fue abrir mi mente a cruzar fronteras no solo políticas sino de la experiencia humana y ese fue el impulso para hacer lo que estoy haciendo ahora. Yo diría que todas estas decisiones que tomamos en nuestras vidas están impulsadas muchas veces por impulsos que están un poco ocultos y a lo mejor muy antiguos también. Tomé la decisión en un par de meses.”

Otro elemento que descubrimos de la vida de Paul y que nos ayuda a entender su pasión por el recorrido que se encuentra haciendo fue la respuesta que dio cuando un estudiante le preguntó por lo que más le ha gustado de su caminata. Resulta que Paul nació en el desierto, al sur de California y en sus palabras nos dijo, “creo que algo de arena me entró a las venas porque me gustan muchísimo los desiertos y he pasado por muchos. En el desierto hay una increíble soledad; hay belleza muy sencilla, a veces una belleza muy dura. Pero el esfuerzo o nuestra tarea como reporteros e historiadores y también como humanos es encontrar ese tipo de belleza en todos los paisajes, hasta en las ciudades más grandes y frenéticas hay belleza, solo hay que encontrarla.” Un desierto que atravesará nuevamente en unos años será el de la frontera entre Estados Unidos y México. Ante la invitación de una estudiante de preescolar, Paul respondió: “cuando llegue a México en 5 años acompáñame a caminar”.

Entre otras maravillosas preguntas de nuestros estudiantes y las correspondientes bellas y sabias respuestas de Paul, este primer evento en español nos ayudará, como dijo Paul, “a unirnos todos, a tratar de comunicar mejor a través de las fronteras, comunicar a través de las culturas, comunicar a través del arte, de las historias que todos llevamos en el corazón, porque lo que yo he descubierto caminando de continente a continente es que todos llevamos historias que son muy comunes.”

Siga este enlace para ver el evento de preguntas y respuestas con Paul Salopek. ¡Es el inicio de una conversación que seguiremos!


Luz Helena Cano is an Out of Eden Learn research assistant and recently graduated master’s student from the Arts in Education program at the Harvard Graduate School of Education.

On Friday, June 16, we held the first Q&A session with Paul Salopek in Spanish. Teachers and students who have participated in the Spanish version of our program and also those who have joined our learning journeys in English but who come from bilingual schools attended the event. Classes joined the Hangout from Bogotá (Colombia), Albacete (España), Buenos Aires (Argentina), and Mexico City (Mexico). Youth participants ranged in age from 3-15 years old.

Paul joined us from Bishkek, Kyrgyzstan, or “the navel of Asia” as he calls it, while making the necessary preparations to continue with his journey towards India. He invited his friend and walking guide, Aziz, to greet us and tell us about his experience crossing Uzbekistan with Paul last year. “It’s good to recognize that this walk is not a walk that I do alone. I am always walking with friends and local colleagues who not only come to be translators but are my eyes to see the landscape and local and regional culture,” says Paul.

Our students asked Paul many interesting and profound questions. For example, preschoolers asked why Paul has not traveled to Mexico, and even why there are wars. Questions from high school students included questions about Paul’s family, the physical and emotional social barriers that he has encountered, and the bonds of friendship he has developed with individuals or groups along the way.

Regarding the latter, Paul said that these personal bonds may seem superficial because he does not spend much time with people, but that he has learned to open himself up more easily. When you are walking through a “human landscape or a human topography,” you quickly learn to open up the heart to speak more honestly, because you only have a brief time to communicate. “The connections with the people I meet on the way are very significant because they are marked by generosity and every time someone greets me or offers me a coffee or tea, it is an affirmation of this project, and a word passes through my mind and it is ‘yes!’”

Although Paul has encountered some danger along his route, such as walking through militarized zones in the Middle East and witnessing firsthand the Syrian refugee crisis and its impact on neighboring countries like Jordan and Turkey, dangerous incidents have been uncommon on his journey. He remembers them clearly because they were very dramatic but insists that “the most common thing is the kindness of ordinary people along the way,” regardless of the religion or geographical area through which he passes. “It gives me hope, it’s a common kindness across all cultures,” says Paul.

One student asked Paul how he made the decision to embark on this adventure and whether it was a long process or a quick decision. Paul responded: “I can say that I have been preparing for this trip since I was a child, since I crossed my first border between Mexico and the United States. I went to Mexican schools, I danced Mexican dances and I fell in love with the Mexican style, and what that did was open my mind to cross borders, not only political, but also those of the human experience. And that gave me the impulse to do what I am doing now. I would say that all the decisions we make in our lives are driven many times by impulses that are a bit hidden and maybe very old too. I made the decision in a couple of months.”

Another element that we discovered about Paul’s life that helps us to understand his passion for his journey was the response he gave when a student asked him what he liked most about his walk. It turns out that Paul was born in the desert, to the south of California. He told us, “I think that some sand entered my veins because I like the deserts very much and I have passed across many. In the desert there is incredible solitude, but there is also very simple beauty, which is sometimes a very hard beauty. But the effort, or our task as reporters and historians and also as humans, is to find that kind of beauty in all landscapes. Even in the biggest and frantic cities, there is beauty. You just have to find it.” A desert that Paul will cross again in a few years will be that of the border between the United States and Mexico. At the invitation of a preschool student, Paul responded, “When I arrive in Mexico in 5 years time, walk with me.”

Besides the wonderful questions from our students and the correspondingly beautiful and wise answers from Paul, this first event in Spanish will help, as Paul says, “to unite us all, to try to communicate better across borders, communicate through cultures, communicate through art the stories we all carry in our hearts. Because what I’ve discovered by walking from continent to continent is that we all carry stories that are common to all of us.”

Follow this link to see the complete first Q&A hangout with Paul Salopek. It is the beginning of a conversation that we hope to continue!

Recognizing, Reflecting, Contemplating: How students are engaging with beauty in nature through Out of Eden Learn
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This post was co-authored by Susie Blair, Michelle Nguyen, and Shari Tishman

One of Out of Eden Learn’s core learning goals is to encourage young people to slow down to observe the world carefully and to listen attentively to others. If you are an educator who uses our curriculum, you may have found that students tend to appreciate this dimension of Out of Eden Learn, especially after they have experienced the curriculum activities that ask them to take walks in their neighborhood and document the everyday. Students’ enthusiasm for ‘slow’ has been quite striking to us, and several months ago we decided to do some research to try to understand exactly what qualities of ‘slow’ students especially appreciated. We did this by analyzing data from various sources, including student surveys and student work posted on the platform, and we wrote up an overview of our findings in a two-part blog post in September of 2016 (Part 1 and Part 2). Broadly, we learned that students point to a variety of themes when they reflect on the value of slow. One of these themes we chose to call “philosophical well-being,” which refers to when students make some sort of philosophical, “deeper” connection as a result of slowing down. For example, one kind of philosophical connection students often make has to do with the role of nature in their lives.  Another has to do with the role of beauty. Thus, these two themes became subcategories.

By refining our coding scheme and further analyzing our data, we noticed that there was quite a bit of—though not total—overlap between the “Nature” and “Beauty” categories. It appears that when students slow down to observe the world carefully, they are often drawn to noticing the beauty that can be found in nature. This seems to be the case for both students in urban as well as rural environments: Out of Eden Learn students find beauty in nature in settings as diverse as a dramatic sunset, a bird nesting in a window box, or a cluster of weeds poking through a crack in the sidewalk.

As shown in the diagram below, young people have much to say about beauty in nature, and their comments often fall along a spectrum. At one end of the spectrum, students express that they find the beauty of nature captivating; they notice details, and experience the delight of noticing. Mid-way along the spectrum, students take their observations beyond recognition and reflect on how their perception of beauty in nature shapes their outlook on life: As the student quoted in the diagram says: “It makes me stop, take a step back, and appreciate the simple things in life.” At the other end of the spectrum, students move from an appreciation of the beauty of nature’s small details to a contemplation of large universal themes.  

beautydiagram 10.5.17.png

The function of ‘slow’ in Out of Eden Learn activities is to provide a space for students to make their own observations and connections. No one point on the spectrum is better than any other; the spectrum simply illustrates a range of ways students become attuned to the beauty of the natural world. That they become attuned isn’t a surprise: Humankind has been finding meaning and beauty in the natural world for millennia. However, it can be easy to dismiss students’ experience in this realm as simple or unsophisticated. But as their ideas show, there is much nuance that they can bring to the experience. A question that remains for us is whether the slow experiences in the Out of Eden Learn curriculum encourage students to notice beauty and nature more broadly in their everyday lives. We hope so, but we can’t know for sure. It’s question we would love to explore through further research.

Traversing Worlds: a collaborative video by Out of Eden Learn students and team members
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Out of Eden Learn produces “Glimpses from the Classroom” videos (here’s one of a 5th grade class in Marblehead, Massachusetts, USA, and another of a kindergarten class in Piraeus, Greece) to provide our community with windows into what Out of Eden Learn looks like and means for participants. Naturally, we planned for the next video in the series to feature older students. Rather than produce another “Glimpses” video, we wanted to support youth to document and share their own experiences. To do so, we developed a collaborative and experiential visual storytelling workshop for two groups of high school youth participating in Out of Eden Learn’s specialized curriculum, Stories of Human Migration. Watch the film they produced here or at the bottom of this post.

Keeping with Out of Eden Learn’s core values, the workshop emphasized the necessity of building bridges between and among cultures, that youth voice and story-sharing are integral to building these bridges, and that we must approach digesting and producing media with a certain critical awareness. A mix of visual storytelling techniques, Project Zero thinking routines, and critical media pedagogy, the workshop provided students tools to film and share their experiences as they participate together in Out of Eden Learn.


I had the honor of traveling to Beaverton, Oregon and Singapore to visit these two high school classes and lead the workshop. My colleague, Emi Kane, Director of Programs at the Abundance Foundation, joined me in Singapore to support and document the workshop. Emi ran a session connecting youth via Skype to an artist whose work focuses on migrant experiences and stories and will share a blog post about this session in the coming weeks.

The visual storytelling workshop was executed similarly at each site. Below I’ll share some highlights from the two weeks along with the film students co-produced, Traversing Worlds.



As a result of two generative brainstorms, one at each location, three major themes bubbled up to help shape the direction youth would take the video:

  1. storytelling: sharing stories because it “feels good” and exchanging stories to build understanding, connect and relate
  2. shifts in perspective: learning about cultures different from your own and being surprised and moved by both similarities and differences
  3. “safe space”: Out of Eden Learn as a safe place to share your story and provides a “safety net” that regular social media does not

Students split into groups and decided who would be interviewed and who would do the interviewing, who was in charge of choosing/producing the music, and what shots they needed to help share their story.


The students planned and led the interviews and did most of the filming.


 

We gave students time to reflect on what they were learning and enjoying from the process throughout the week.


Youth filmed an Everyday Borders walk, capturing one of the activities from the Stories of Human Migration curriculum.  


They filmed one another exploring and posting to the Out of Eden Learn platform.



They came up with their own ways to capture interesting angles/panning shots.


They captured footage both in and out of the classroom.



At the end of the workshop, students shared what they hoped people would get out of their video:

“I hope people can see that we all have a different story besides the single story that the media portrays.”

“I want them to see stories of migration from a different perspective.”

“There is more to someone than their color or beliefs.”

“To see the world as connected and not in fragments”

“I hope people will take away from our video the importance of interacting with people we don’t know”


It is pretty incredible how much we did in the two weeks of workshopping. I was personally really moved by the students’ collective commitment to producing a thoughtful and evocative piece and learning as much as they could in the process. And, of course, we had a lot of fun working together!


Two months after the workshop, the video was in a form ready to share. Oliver Brown, educator at Merlo Station High School in Beaverton, and Sandra Teng, educator at Nanyang Girls’ High School in Singapore both organized community screenings of the film and invited family and community members to view, share and reflect. At both screenings, the youth filmmakers spoke about the experience.






“You need to experience something new if you want to learn more. Leave your bubble and make new friends or leave your bubble and communicate more, leave your bubble and start a positive life. You can’t just be clustered in a little bubble forever.”

-Juritzi Dona Montoya
Interviewee
Beaverton, USA

 

Watch the final video, Traversing Worlds:

The iterative relationship between practice and research on Out of Eden Learn
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In December, 2014, I wrote a blog post called Research and Out of Eden Learn: Forging Our Own Path. Re-reading this piece, much of what I wrote then still resonates: we continue to strive to do research that is action-oriented, collaborative, and learning-centric, even if we ended up going down slightly different paths than we envisaged at the time of writing. This post reprises my discussion of the relationship between practice and research on Out of Eden Learn. It offers an overview of some of our current research interests and the ways in which research and practice iteratively inform one another in our collective work.

What kind of research do we do? We spend a lot of time developing, pilot-testing, and refining our curriculum materials and platform design. We also consider more broadly what we can learn from students about their understandings of the world, and the possibilities and limitations of online spaces to help them build on and develop those understandings. We implement pre- and post- student surveys, conduct interviews with educators and students, and look slowly and carefully at student work and the comments they leave for one another. The goal of such activities is both to improve the Out of Eden Learn program and to contribute to the field of education more broadly. Ultimately, our aim is to distill what we’re learning in ways that will help educators working in very different contexts (both online and offline) to design authentic, relevant, and engaging learning experiences for their students.

We are currently focused on the following themes, each of which we will expand upon in future posts.

Young people’s understandings of culture(s) and the affordances and limitations of online exchanges to promote those understandings. This research interest arose because we heard repeatedly from students that they were learning a lot about other cultures by participating in Out of Eden Learn – even though we did not use the word culture in our materials or stated aims. We wanted to find out how young people were thinking about the general concept of culture, as well as specific cultures, and what exactly they thought they were learning about them through our program. We subsequently articulated the kinds of nuanced and thoughtful understandings about culture we wanted to promote and have since continued to modify our materials to try to support the development of those kinds of understandings. For example, based on our finding that relatively few students spontaneously reflect on their own cultural perspectives, we are currently piloting some private reflection questions designed to help them synthesize what they have learned from being exposed to different students’ perspectives and to consider how their own social and geographic contexts influence how they view the world.

Young people’s online exchanges and their use of our dialogue toolkit. This research strand involves looking closely at how young people interact on our platform. We developed our dialogue toolkit because of the relative thinness of the comments students initially left for one another, which contrasted with the thoughtfulness of what they had to say to us in interviews. While our research shows that student dialogue has become richer and more extensive since we introduced the toolkit, we have also noticed that many students seem wary of challenging one another’s ideas or engaging in critical conversations. We are now developing and piloting three new tools designed to support students to forthrightly yet respectfully discuss differences in perspective or opinion. In turn, we will conduct further research to see what we can learn from student responses to these new tools.

Ways in which students can develop their understanding of human migration through intercultural exchange. As presented in a blog post this past fall, we are developing a pedagogic framework for thinking about how to engage young people in thoughtful ways around the topic of human migration. The initial version of the Stories of Human Migration curriculum represented an effort on our part to take the principles we established in our white paper for fostering thoughtful online cross-cultural inquiry and exchange, and apply them to engagement around a substantive, timely, yet potentially sensitive topic. We are truly excited by the thoughtfulness and quality of much of the student work. However, we have already modified the curriculum to encourage more students to develop nuanced understanding of, for example, the diverse structural forces and motivations involved in different migration stories, and a greater self-awareness of their own perspective and relationship to the topic – including how and why their thinking may have shifted by participating in Out of Eden Learn. Our findings have and will continue to inform the pedagogic model we are developing and future curriculum designs.

The piloting of a new learning journey on planetary health. This curriculum-in-development is a response to students’ interest in the natural environment and their relationship to it, as described in this recent post, which built on our research into what young people do when invited to engage in slow looking. The curriculum, which involves a collaboration between Out of Eden Learn and the Planetary Health Alliance, supports young people to look at the world through a planetary health lens—that is, to notice and appreciate complex interactions between environmental change and human health in their own neighborhoods as well as the wider world. As the pilot phase unfolds, we will examine the kinds of ideas and understandings that students develop – as well as things they seem to find challenging to understand – in order to further develop the curriculum and glean broader insights into how to engage young people in thinking about complex systems.

Looking ahead, we intend to maintain an iterative relationship between the research we do and the vibrant community, platform, and resources we have built up over the past several years. Indeed, the two aspects of our work are mutually dependent. Our research would not be possible without the real-world practice that is Out of Eden Learn. And Out of Eden Learn would likely be less effective at providing powerful learning experiences for young people without the contributions of our research. By thoughtfully enmeshing practice and research, we believe that we are well-positioned to make an original and substantial contribution to the field of education, particularly with regards to promoting intercultural digital exchange, helping young people to understand complex global issues, and developing effective pedagogic practices for today’s world.

Building a Maker Educator Learning Community in Pittsburgh
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By Guest Author Jeff Evancho, Project Zero Programming Specialist at the Quaker Valley School District

Pittsburgh, Pennsylvania has a long-standing history of representing what it means to be a maker, and more importantly, a maker community. The industrial revolution established Pittsburgh’s maker community within a landscape of steel mills driven by a rugged blue-collar work ethic. Fast forward to the present—our steel mills may have disappeared but our maker spirit is stronger than ever. Pittsburgh is currently immersed in yet another renaissance—redefining itself in and through its maker DNA. This cultural rebirth is fueled by a global economy, the emergence of a thriving tech industry, and a growing culture of entrepreneurialism that is firmly-rooted in that gritty maker mindset.

The transformation of a city through a maker culture has extensive implications for education throughout the region. Catalyzed by the Remake Learning Network, Pittsburgh has emerged as a national leader in educational innovation. Recently, a network of makers, known as the Pittsburgh Maker Educator Learning Community, worked with Agency by Design to explore the application of the research team’s framework for maker-centered learning in our community. As with the current phase of AbD research, our purpose is to develop documentation and assessment strategies that surface signs of learning as they may be observed within the maker-centered classroom.

Members pf the Pittsburgh Maker Educator Learning Community engage in the practice of close looking during during a design challenge activity.

Members pf the Pittsburgh Maker Educator Learning Community engage in the practice of close looking during a design challenge activity.

A Tale of Two Maker-Centered Stories

Pittsburgh’s maker history can be told through two different maker education stories. These stories are represented by both formal and informal education. Here in Pittsburgh we have rich maker experiences happening in our informal settings, i.e., museums, public libraries, and other community spaces. Additionally, a different but related story can be told from the perspective of our more formal in-school maker education settings.

Recently several schools in our area began to build makerspaces to mirror some of the informal settings. However, many of these schools lacked the appropriate methods to connect their new spaces and tools to robust learning outcomes. While it is now clearly evident that positive learning is happening in both our formal and informal maker-centered learning environments, it is also evident that there are differences between the two settings. With these two stories at play, many of us began to notice that those representing formal and informal learning environments didn’t have the opportunity to work together to develop mutual understandings of maker-centered learning. As a result of this realization, with the support of the Grable Foundation, the Remake Learning Network and the Agency by Design research team helped us pilot a learning community to bridge this gap of communication.

Establishing the Pittsburgh Maker Educator Learning Community

The Pittsburgh Maker Educator Learning Community was intentionally designed to connect educators from diverse maker-centered learning environments for the purpose of developing mutual understandings of their work. With guidance from Agency by Design and the Quaker Valley School District, my thought leader partner Megan Cicconi and I created a learning community comprised of educators from 11 organizations throughout the Pittsburgh region. Our initial goals were to develop an understanding of the Agency by Design research findings, and to utilize the AbD framework for maker-centered learning to collaboratively think about prototyping and testing assessment tools in the context of maker-centered learning.

Once our group started to meet, we quickly developed our own structure for mutual interactions within a study group setting. It became quite obvious that collegial dialogue about assessment for learning is of the utmost importance. Collectively we engaged in dialogue about the Agency by Design framework through a visible thinking routine called Chalk Talk. Focusing on the core maker capacities of looking closely, exploring complexity, and finding opportunity, we asked ourselves the following critical questions:

  • Why is looking closely a valuable disposition to have?
  • How do learners explore complexity?
  • What is the value in learners finding opportunity?

This process of being engaged in thinking together about the core capacities of the Agency by Design framework allowed us to collectively explore deeper understandings related to the arc of learning within a maker-centered context. The Chalk Talk thinking routine further presented us with an opportunity to talk about the core capacities and their relationship to learning from our own perspectives.

Another important component of our workshops is the expectation of our cohort members to bring an artifact of student work to each meeting. We use these artifacts to create the teacher’s perspective and to facilitate conversations about student thinking and learning. We engage in a protocol entitled looking at students’ thinking to help us to surface the thinking that is present in the artifacts of student work. This technique has allowed us to shift our conversation to focus on two inter-related questions: What learning do we want to occur in our classrooms? and How might a particular maker activity facilitate that learning?

A sample of student work ( far right) along with the documentation of the Pittsburgh Maker Educator Learning Community's use of the Looking at Student Thinking protocol to discuss it.

A sample of student work (far right) along with the documentation of the Pittsburgh Maker Educator Learning Community’s use of the Looking at Student Thinking protocol to discuss it.

As a learning community we have continued this framework of engaging in dialogue, investigating big questions, and looking at student work for the purpose of exploring learning outcomes. This framework became our professional routine. After each workshop concluded, all participants committed to using an Agency by Design thinking routine or simply being mindful of the core capacities while facilitating instruction. And when it was time for us to meet again, each participant of the cohort came prepared with a student artifact connected to their new understanding of the Agency by Design framework. As we continued this process, all participants have developed deeper understandings of the systems-level thinking embedded in the maker-centered learning practices they have been facilitating.

Making an Impact in the Maker-Centered Classroom

Timesha Cohen, a member of our learning community and teacher from Propel McKeesport Public Charter School, has talked about the impact of her participation as positively affecting herself and her students: “My students are able to make connections between what they know and what they need to know, as well as draw conclusions based on patterns they may notice in both math and science. They have learned how to take more of a leadership role in how they think, thus making them more confident in their ability to think without my constant direction.” Additionally, Timesha has talked about her work with the Pittsburgh Maker Educator Learning Community as impacting her teaching, “In other words, it has allowed me to develop a teaching framework that allows my students the time and opportunities to develop their instinctive ability to be problem solvers and creators.”

Pittsburgh Maker Educator Learning Community Timesha Cohen joins her colleagues in a hands-on maker-centered learning activity redesign.

Pittsburgh Maker Educator Learning Community member Timesha Cohen joins her colleagues in the redesign of a hands-on maker-centered learning activity.

Many of the other participants in our AbD Pittsburgh Maker Educator Learning Community could likely share similar stories about how their work together with the AbD framework and educator resources has had a positive impact on their teaching and, most importantly, the opportunity for them to support student agency.

We are happy to announce that as a result of the success of our pilot experience, Cognizant Technology Solutions is now supporting the continuation and expansion of our work as a learning community. We are excited to see how our work in Pittsburgh parallels the work of the new cohort of Agency by Design Fellows in California—and how we may help contribute to the development of documentation and assessment tools for maker-centered classrooms throughout the United States and around the world.

As we move towards developing documentation and assessment strategies for maker-centered learning, we invite you to think with us about some key questions: What can be assessed within the maker-centered learning context? What is worth assessing in the maker-centered learning context? And what does maker-centered learning look like?

Snapshot of Practice: Teaching Migration through Storytelling, Authenticity, and Dialogue
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Kim Young is a Social Studies teacher at Weston High School in Weston, Massachusetts. She has been teaching Grade 9 World History for the last 14 years.

Making the decision to include the study of migration as a focused theme for my 9th grade World History classes was an easy one – it is a complex issue that all students need greater understanding of to be informed global citizens.  Deciding, however, on how to teach about migration to my students took much longer reflecting, learning, and planning. In piloting a new curriculum on migration with my students during the 2016-2017 school year, I tried to emphasize storytelling, authenticity, and dialoging.  A key piece to this planning involved deciding my students would participate in the Out of Eden Learn (OOEL) Special Learning Journey: Stories of Human Migration as the Project Zero curriculum complemented these goals.

Storytelling

As “one’s own culture and history is key to understanding one’ relationship with others” (Global Competency Matrix, World Savvy) our classroom study of migration started with the personal. After watching an introductory video from Harvard’s Global Health Education and Learning Incubator (GHELI) to gain understanding of migration vocabulary, students practiced using the vocabulary by making it personal. As part of OOEL’s Footstep #1 Our Own Stories of Migration, students asked family members or close friends about personal stories of movement, and then classified these movements using the video definitions.

Students developed these personal connections through the process of storytelling by investigating one instance of migration in greater detail and retelling this story of migration using a digital storytelling tool to post on the Out of Eden Learn message board.  One of the more popular tools students used for storytelling was Pixtotale, which brings together a series of scrolling images with captions. One student, Anissa Zhang, used Pixtotale to share her father’s story of migration from China.  Through this activity, students started to see the study of migration as relevant to their own lives.  This increased student engagement and began the process of developing empathy before getting into the more complex aspects of migration.

As we moved deeper into the study of migration, an emphasis on storytelling remained, through the use of visual and text based primary sources.  As part of OOEL Footstep #4, Migration Today, students also explored storytelling through 360 video (virtual reality) resources “The Displaced” from The New York Times and “Forced From Home” from Doctors Without Borders.

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Young’s students using virtual reality tools to explore stories from refugees from The New York Times and Doctors Without Borders.

Authenticity

Creating authentic assessment activities was critical to the success of our study of migration.  I moved away from traditional models of summative assessment, instead focusing on formative assessments and project-driven summative assessments.

Participating in the Out of Eden Learning Journey on Migration provided an authentic audience for student work.  In classroom skill-based lesson plans students practiced globally competent historical thinking skills through the topic of migration and then showed their progress on these skills through completing the OOEL footsteps.  Although I read (and graded) students work as well, sharing their work with peers throughout the world gave it deeper meaning and purpose.  As migration is inherently a topic that involves movement, and therefore an area larger than your local community, connecting with the world was even more important than with other units of study.

Dialogue

Given the controversial and political nature of discussions about migrants and migration policy, integrating learning activities that focused on how to engage in the process of dialogue vs. “winning” a debate was also important.  Emphasizing dialogue complimented a focus on understanding diverse perspectives – my goal as an educator not being to change students’ views, but to give students skills for investigating the world so their opinions are based on well-balanced research and understanding of other points of view.

Students began practicing by using the dialoguing tools to interact with global peers on the Out of Eden Learn platform.  Through these online dialogues, students had to use their skills of empathy and understanding multiple perspectives in order to engage with other students’ work.

Students also engaged in dialogue by participating in a symposium on Forced Migration hosted at the High School.  A variety of experts, practitioners, and service providers where invited to speak to students.  Students felt “the most beneficial part was just being able to interact with other people who were experts and ask them questions” and that “it was intriguing to hear about the experience of someone who was actually in the region, rather than learning from a database online.”  By dialoguing with experts, students gained confidence in sharing what they had learned, which will help extend the learning into other areas of their lives.

I am thankful for the summer recess to provide an opportunity for reflection and further revision of this year’s pilot attempt at integrating the study of migration into my World History curriculum.  I can’t wait until September to continue to evolve best practices in storytelling, authentic assessment, and dialoguing and expand my schools participation in Out of Eden Learn to more classrooms and grade levels.

What are some of your best practices, greatest successes, biggest failures?  Share below in the comments.

You can read more about Kim’s teaching through her blog www.educatingforgc.blogspot.com or following her on twitter @9thWorldHistory.

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